Modernism, Cultural Production, and the British Avant-Garde

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The book explores the intersection of art, literature, and early twentieth-century capitalism, revealing how avant-garde movements embraced individualism and competition while aligning with a rapidly expanding market. Through an interdisciplinary lens, it analyzes works by notable figures like Virginia Woolf and T.S. Eliot alongside psychoanalytic, economic, and political theories. This study offers valuable insights into the complexities of modernism, making it a significant resource for scholars in literary and cultural studies.