The whiteness of black protagonists in Quentin Tarantinos "Django Unchained"

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Exploring the concept of white privilege, this seminar paper analyzes its implications in a fictional historical context through the lens of Quentin Tarantino's "Django Unchained." It utilizes John French and Bertram Raven's theory of social power to examine how a black protagonist navigates power dynamics shaped by race. By dissecting key scenes, the paper highlights the complexities of privilege and authority, revealing how societal structures influence the protagonist's experience and interactions within the narrative.