The examination of contemporary plays alongside the works of Eugene O'Neill, Arthur Miller, and Tennessee Williams reveals a significant theme in American theatre: the inherent tragedy stemming from the cultural pressure on characters to self-create. Andreach highlights how this expectation shapes the narrative and emotional depth in modern works, asserting that tragedy remains a vital component of contemporary storytelling.
Exploring the tension between naturalism and non-naturalism, this book delves into the evolution of American theatre in the Twentieth Century through the lens of significant contemporary playwrights. It argues that the ongoing conflict between these two theatrical styles prevents a definitive victory for either side, suggesting that a dominance of naturalism would lead to predictable narratives, while non-naturalism could result in chaotic storytelling. This analysis highlights the complexities and nuances of American theatrical history and its diverse approaches to storytelling.
Contemporary American theatre re-creates and invokes classical theatre so as to generate interaction between the two theatres. Using selected works of fourteen playwrights, this book organizes the interaction into three sections: works dramatizing change and reconciliation, works dramatizing the inability or the unwillingness to change and reconcile, and works emphasizing various selves (personal, theatrical, national). By drawing on the past, the fourteen playwrights refine their art in the contemporary American theatre and their vision of contemporary American life.