Focusing on the innovative approaches of Le Corbusier, Louis I Kahn, and Aldo van Eyck, this book offers a thorough re-evaluation of their architectural contributions. It explores how these architects aimed to embody utopian ideals in their designs, highlighting the unique philosophies and techniques they employed to create spaces that reflect their visions of a better society.
"While the work of Henri Lefebvre has become better known in the English-speaking world since the 1991 translation of his 1974 masterpiece, The Production of Space, his influence on the actual production of architecture and the city has been less pronounced. Although now widely read in schools of architecture, planning and urban design, Lefebvre's message for practice remains elusive; inevitably so because the entry of his work into the Anglosphere has come with repression of the two most challenging aspects of his thinking: romanticism and Utopia, which simultaneously confront modernity while being progressive. Contemporary discomfort with romanticism and Utopia arguably obstructs the shift of Lefebvre's thinking from being objects of theoretical interest into positions of actually influencing practices. Attempting to understand and act upon architecture and the city with Lefebvre but without Utopia and romanticism risks muting the impact of his ideas. Although Utopia may seem to have no place in the present, Lefebvre reveals this as little more than a self-serving affirmation that 'there is no alternative' to social and political detachment. Demanding the impossible may end in failure but as Lefebvre shows us, doing so is the first step towards other possibilities. To think with Lefebvre is to think about Utopia, doing so makes contact with what is most enduring about his project for the city and its inhabitants, and with what is most radical about it as well. Lefebvre for Architects offers a concise account of the relevance of Henri Lefebvre's writing for the theory and practice of architecture, planning and urban design. This book is accessible for students and practitioners who wish to fully engage with the design possibilities offered by Lefebvre's philosophy."
Interweaving architecture, philosophy and cultural history, Materials and Meaning in Architecture develops a rich and multi-dimensional exploration of materials and materiality, in an age when architectural practice seems otherwise preoccupied with image and visual representation. Arguing that architecture is primarily experienced by the whole body, rather than chiefly with the eyes, this broad-ranging study shows how the most engaging built works are as tactile as they are sensuous, communicating directly with the bodily senses, especially touch. It explores the theme of 'material imagination' and the power of establishing 'place identity' in an architect's work, to consider the enduring expressive possibilities of material use in architecture
Druga książka z serii Myśliciele dla Architektów opisuje znaczenie pism Henri Lefebvrea dla teorii i praktyki architektury oraz dla planowania i projektowania miejskiego. Choć obecnie Lefebvre jest powszechnie czytany w szkołach architektury, to jego przesłanie dla praktyki pozostaje trudno uchwytne. Książka Nathaniela Colemana wychodzi temu naprzeciw: to propozycja dla studentów i praktyków zainteresowanych pełnią możliwości projektowych opartych na filozofii Lefebvrea. Niniejsza książka proponuje zwięzłą relację na temat przydatności pism Henriego Lefebvrea dla teorii architektury i dla jej praktyki (a w konsekwencji także dla planowania i urbanistyki) bez ukrywania jego utopizmu i romantyzmu czy centralnej roli Marksa w jego myśleniu. Głównym celem tej książki stało się przedstawienie architektom i studentom architektury, jak również studentom i praktykom planowania i urbanistyki, istotnych możliwości, jakie dzieło Lefebvrea otwiera przed odnowionymi praktykami nawet w czasach neoliberalnego konsensusu, wramach którego redukcję państwa, prywatyzację i wolne rynki uważa się za zapewniające wolność dzięki wzrostowi gospodarczemu. fragment książki
Although the association between architecture and utopia (the relationship between imagining a new world and exploring how its new conditions can best be organized) might appear obvious from within the domain of utopian studies, architects have long attempted to dissociate themselves from utopia. Concentrating on the difficulties writers from both perspectives experience with the topic, this collection interrogates the meta-theoretical problematic for ongoing intellectual work on architecture and utopia. The essays explore divergent manifestations of the play of utopia on architectural imagination, situated within specific historical moments, from the early Renaissance to the present day. The volume closes with an exchange between Nathaniel Coleman, Ruth Levitas, and Lyman Tower Sargent, reflecting on the contributions the essays make to situating architecture and utopia historically and theoretically within utopian studies, and to articulating utopia as a method for inventing and producing better places. Intriguing to architects, planners, urban designers, and others who study and make the built environment, this collection will also be of interest to utopian studies scholars, students, and general readers with a concern for the interrelationships between the built environment and social dreaming.