Capturing the essence of Los Angeles during a time of stillness, Janet Sternburg's project blends photography with philosophical insights. Her images depict sturdy urban elements like facades and traffic lights intertwined with nature and human interactions, reflecting the city's hidden vibrancy. This work serves as a tribute to her city, transforming ordinary scenes into a visual poem that challenges traditional perceptions of space and perspective. Through her lens, Sternburg invites viewers to explore the complexities and metaphors inherent in everyday life.
Janet Sternburg Knihy




A cornucopia for road warriors and armchair epicures alike, Roadfood is a road map to some of the tastiest treasures in the United States. First published in 1977, the original Roadfood became an instant classic. James Beard said, "This is a book that you should carry with you, no matter where you are going in these United States. It's a treasure house of information." The 40th anniversary edition of Roadfood includes 1,000 of America's best local eateries along highways and back roads, with nearly 200 new listings, as well as a brand new design. Filled with enticing alternatives for chain-weary-travelers, Roadfood provides descriptions of and directions to (complete with regional maps) the best lobster shacks on the East Coast; the ultimate barbecue joints down South; the most indulgent steak houses in the Midwest; and dozens of top-notch diners, hotdog stands, ice-cream parlors, and uniquely regional finds in between. Each entry delves into the folkways of a restaurant's locale as well as the dining experience itself, and each is written in the Sterns' entertaining and colorful style. "The bible for motorists seeking mouthwatering barbecue or homemade pie." - USA Today
Looking at Mexico / Mexico Looks Back
Janet Sternburg
Can a still photograph embody living perception? Can it contain its abundance? Can photography, which is not a time-based medium, render ongoing flow? Can it do justice to this notion of an over-spilling world? To these questions, photographer Janet Sternburg (b. Boston, 1943; lives and works in Los Angeles and San Miguel de Allende, Mexico), a writer and philosopher as well as a photographer, says yes. Her work proves that photography can register the living perception that is our experience. Working without any optical or digital manipulation, and using the simplest of technical means-disposable and early iPhone cameras-she draws together the manifold aspects of the world on a single plane, portraying a vision of interpenetrating and layered time and space. 'Overspilling World' is Janet Sternburg's first monograph. With texts by Sternburg, art historian Pepe Karmel, photographer Catherine Opie, curator Alexandra von Stosch, and filmmaker-photographer Wim Wenders