Describes the development of chimaycha, a Quechua-language music genre, over the last fifty years, in order to show how changes in performance track and drive evolving conceptions of Andean indigeneity over the same period.
The book is a reprint of a classic work originally published in 1881, preserving its historical significance and offering readers a glimpse into the themes and perspectives of that era. This edition aims to maintain the integrity of the original text, allowing modern audiences to appreciate the narrative and insights from the past. The reprint may include additional features like an introduction or notes that provide context for contemporary readers, enhancing the understanding of its relevance today.