Moving across the boundaries of mainstream and experimental circuits, from the affective pleasures of commercially successful shows such as Calendar Girls and Mamma Mia! to the feminist possibilities of new burlesque and stand-up, this book offers a lucid and accessible account of popular feminisms in contemporary theatre and performance.
Popular Feminisms in Contemporary Theatre and Performance
Exploring the intersection of mainstream and experimental theatre, this book examines the diverse expressions of popular feminisms in contemporary performance. It highlights the enjoyment found in commercially successful productions like Calendar Girls and Mamma Mia!, while also delving into the feminist potential of new burlesque and stand-up comedy. The author provides a clear and engaging analysis, making the complexities of feminist themes in performance accessible to a broad audience.
This book is the first comprehensive study of the Royal Court Theatre's International Department, exploring its distinctive programming of international plays, writer residencies, and the impact of workshops held in over 30 countries.