Paul Muldoon je uznávaný básník známý svým jazykovým experimentátorstvím a pronikavým pohledem na irskou identitu a historii. Jeho díla často zkoumají složitost vyprávění a propojení minulosti s přítomností. Muldoonův styl se vyznačuje hravým přístupem k jazyku, inovativními formami a obohacujícími aluzemi. Jeho poezie, zakořeněná v tradici, ale zároveň progresivní, nabízí čtenářům jedinečnou perspektivu na lidskou zkušenost.
Výbor pořízený z většiny Muldoonových sbírek, který mimo kratších básní obsahuje i básnickou sekvenci Sleevenotes, je pro českého čtenáře první příležitostí seznámit se s pestrým dílem jednoho z nejuznávanějších irských básníků.
#1 NEW YORK TIMES BESTSELLER A Washington Post Notable Book Excerpted in The New Yorker A work of unparalleled candor and splendorous beauty, The Lyrics celebrates the creative life and the musical genius of Paul McCartney through his most meaningful songs.
Taking the death of Yeats in 1939 as its starting point and ending in the 1980s, The Faber Book of Contemporary Irish Poetry offers unusually generous selections from the work of ten writers - Patrick Kavanagh, Louis MacNeice, Thomas Kinsella, John Montague, Seamus Heaney, Michael Longley, Derek Mahon, Paul Durcan, Tom Paulin and Medbh McGuckian. Edited by Paul Muldoon, himself widely regarded as the leading Irish poet of his generation, this anthology provides a fine introduction to the most consistently impressive Irish poets after Yeats.
Britain's most prestigious literary magazine brings you the very best new fiction, memoir, reportage, poetry, photography and art from around the world. Granta consistently publishes innovative and prize-winning writing in each quarterly issue, such as 'Rain' by Colin Barrett and 'The Room-Service Waiter' by Tom Crewe (both winners of the 2024 O. Henry Prize for Short Fiction), as well as 'Theories of Care' by Sophie Mackintosh, which won the 2024 Pushcart Prize.
Paul Muldoon, ein bedeutender englischsprachiger Dichter, ist bekannt für seine heitere Tiefe und formale Meisterschaft. Seine Gedichte zeichnen sich durch geschicktes Reimspiel und akustische Erlebnisse aus. Dieser Band ist seine erste Buchveröffentlichung in deutscher Sprache.
In this selection from five years' worth of lyrics, accompanied by recent
sonnets, Muldoon recalls the bardic traditions of his homeland where songs and
poems exist somewhere in between Parnassus and Tin Pan Alley.
“The most significant English-Language poet born since the second world war.” —The Times Literary Supplement Selected Poems 1968–2014 offers forty-six years of work drawn from twelve individual collections by a poet who “began as a prodigy and has gone on to become a virtuoso” (Michael Hofmann). Hailed by Seamus Heaney as “one of the era’s true originals,” Paul Muldoon seems determined to escape definition, yet this volume, compiled by the poet himself, serves as an indispensable introduction to his trademark combination of intellectual hijinks and emotional honesty. Among his many honors are the Pulitzer Prize for Poetry and the Shakespeare Prize “for contributions from English-speaking Europe to the European inheritance.” “Among contemporaries, Paul Muldoon, one of the great poets of the past hundred years, who can be everything in his poems—word-playful, lyrical, hilarious, melancholy. And angry. Only Yeats before him could write with such measured fury.” —Roger Rosenblatt, The New York Times
Paul Muldoon is widely considered the greatest living poet of his generation. The former Professor of Poetry at Oxford, and once poetry editor of The New Yorker, Muldoon's influence on poetry since his debut is incalculable. At once playful, profoundly literate, pop savvy and allusive to the max, his poetry has thousands of readers and fans worldwide. Any new collection of this Pulitzer-winner is an event. Book jacket.
Meeting the British is Paul Muldoon's fifth collection of poems. They range
from an account of the first recorded case of germ warfare, through a
meditation on a bar of soap, to a sequence of monologues spoken by some of the
famous, or infamous, inhabitants of '7, Middagh Street', New York, on
Thanksgiving Day, 1940.
When it appeared in 1973, Seamus Heaney described its author as 'unusually
gifted, endowed with an individual sense of rhythm, a natural and copious
vocabulary, a technical accomplishment and an intellectual boldness that mark
him as the most promising poet to appear in Ireland for years'.