Paul Muldoon je uznávaný básník známý svým jazykovým experimentátorstvím a pronikavým pohledem na irskou identitu a historii. Jeho díla často zkoumají složitost vyprávění a propojení minulosti s přítomností. Muldoonův styl se vyznačuje hravým přístupem k jazyku, inovativními formami a obohacujícími aluzemi. Jeho poezie, zakořeněná v tradici, ale zároveň progresivní, nabízí čtenářům jedinečnou perspektivu na lidskou zkušenost.
Výbor pořízený z většiny Muldoonových sbírek, který mimo kratších básní obsahuje i básnickou sekvenci Sleevenotes, je pro českého čtenáře první příležitostí seznámit se s pestrým dílem jednoho z nejuznávanějších irských básníků.
#1 NEW YORK TIMES BESTSELLER A Washington Post Notable Book Excerpted in The New Yorker A work of unparalleled candor and splendorous beauty, The Lyrics celebrates the creative life and the musical genius of Paul McCartney through his most meaningful songs.
Taking the death of Yeats in 1939 as its starting point and ending in the 1980s, The Faber Book of Contemporary Irish Poetry offers unusually generous selections from the work of ten writers - Patrick Kavanagh, Louis MacNeice, Thomas Kinsella, John Montague, Seamus Heaney, Michael Longley, Derek Mahon, Paul Durcan, Tom Paulin and Medbh McGuckian. Edited by Paul Muldoon, himself widely regarded as the leading Irish poet of his generation, this anthology provides a fine introduction to the most consistently impressive Irish poets after Yeats.
Nový překlad nejvlivnější angloamerické básně dvacátého století, který vychází ke stému výročí jejího prvního vydání. Pustá země je pravděpodobně nejvlivnější básnickou skladbou 20. století, přinejmenším v kontextu anglofonní poezie. T.S. Eliot ve své útlé knize z roku 1922 zcela mimořádným způsobem navazuje na několikatisíciletou tradici světové literatury; v pozoruhodném souladu se svými kritickými postuláty tvoří dílo vycházející z "historického vědomí, jež nutí člověka psát tak, jako by celá evropská literatura počínajíc Homérem, včetně celé literatury jeho vlastní země, existovala simultánně a vytvářela simultánní řád". Onu literární tradici přitom svým modernistickým gestem nekompromisně přebudovává k obrazu svému. Nakladatelská anotace.
“The most significant English-Language poet born since the second world war.” —The Times Literary Supplement Selected Poems 1968–2014 offers forty-six years of work drawn from twelve individual collections by a poet who “began as a prodigy and has gone on to become a virtuoso” (Michael Hofmann). Hailed by Seamus Heaney as “one of the era’s true originals,” Paul Muldoon seems determined to escape definition, yet this volume, compiled by the poet himself, serves as an indispensable introduction to his trademark combination of intellectual hijinks and emotional honesty. Among his many honors are the Pulitzer Prize for Poetry and the Shakespeare Prize “for contributions from English-speaking Europe to the European inheritance.” “Among contemporaries, Paul Muldoon, one of the great poets of the past hundred years, who can be everything in his poems—word-playful, lyrical, hilarious, melancholy. And angry. Only Yeats before him could write with such measured fury.” —Roger Rosenblatt, The New York Times
The stirring, mindful and deeply humane new collection of poems from Paul Muldoon - now in paperback.
In this series, a contemporary poet selects and introduces a poet of the past. He succeeded to a baronetcy in 1798, and as Lord Byron he was soon to become the most famous poet of his age - with the publication of Childe Harold, in 1812 - as well as one of its most notorious characters.
In his eleventh full-length collection, Paul Muldoon reminds us that he is a traditional poet who is steadfastly at odds with tradition. If the poetic sequence is the main mode of Maggot, it certainly isn’t your father’s poetic sequence. Taking as a starting point W. B. Yeats’s remark that the only fit topics for a serious mood are ‘sex and the dead’, Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It’s no accident that the centrepiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its ‘subject’ the urge to memorialize the scenes of fatal car accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title-sequence but many of the round-songs that characterize Maggot and has led Angela Leighton, writing in the TLS, to see these new poems (on their earlier appearance in Plan B, an interim volume which included several of the poems in Maggot) as giving readers ‘a thrilling, wild, fairground ride, with few let-ups for the squeamish.’
The hard-hitting new poetry collection from 'Ireland's most ingenious poet' (Telegraph).
Britain's most prestigious literary magazine brings you the very best new fiction, memoir, reportage, poetry, photography and art from around the world. Granta consistently publishes innovative and prize-winning writing in each quarterly issue, such as 'Rain' by Colin Barrett and 'The Room-Service Waiter' by Tom Crewe (both winners of the 2024 O. Henry Prize for Short Fiction), as well as 'Theories of Care' by Sophie Mackintosh, which won the 2024 Pushcart Prize.
