Impersonations

Exploring the unique all-male public theatre of Renaissance England, this book delves into the representation of gender in Elizabethan drama and society. It investigates the use of boys in female roles and the implications of cross-dressing on Shakespeare's works. The text also examines the roles of women in theatre, both on stage and as audience members, alongside societal reactions to those who challenged gender norms. With a blend of wit and clarity, it aims to reshape perceptions of gender, power, and sexuality in the context of Renaissance theatre.