Exploring the evolving societal attitudes toward death, this provocative account examines the shift from avoidance to acceptance in the twentieth century. It questions whether the increasing commercialization of death—through online coffin sales and mourning television—represents a healthy liberation or a decline in sensibility. The book engages with the complexities of our relationship with mortality, challenging readers to reflect on the implications of this newfound openness.
Millions have visited the museums that bear her name, yet few know much about Madame Tussaud. A celebrated artist, she had both a ringside seat at and a cameo role in the French Revolution. A victim and survivor of one of the most tumultuous times in history, this intelligent, pragmatic businesswoman has also had an indelible impact on contemporary culture, planting the seed of our obsession with celebrity. In Madame Tussaud, Kate Berridge tells this fascinating woman's complete story for the first time, drawing upon a wealth of sources, including Tussaud's memoirs and historical archives. It is a grand-scale success story, revealing how with sheer graft and grit a woman born in 1761 to an eighteen-year-old cook overcame extraordinary reversals of fortune to build the first and most enduring worldwide brand identified simply by reference to its founder's name: Madame Tussaud's.
Madame Tussaud is a name known all over the world. The queue to her exhibition is a landmark. Such is its phenomenal success, it has eclipsed the woman who started it all. But Marie Tussaud led a remarkable life. With grit and audacity she overcame reversals of fortune and built an extraordinary spectacle. Of lowly birth and uncertain paternity, Marie became apprentice to a charismatic showman in Paris who taught her the art of wax modelling. They plied their trade among a colourful cast of 'Italian singers, pastry cooks, restaurant keepers, marionettes, acrobats, giants, dwarves, ferocious beasts'. In her memoir she also claimed friendship with royals and revolutionaries including Marie Antoinette and Voltaire. But, as a born entrepreneur, did Marie's flair for publicity extend to moulding her own story? After the Revolution, she came to England and took her show on the road. She pursued the punishing lifestyle of the travelling show for many years and secured a lasting reputation in the Dickensian world of 19th century popular entertainment.More than a biography, this captivating cultural history plunges the reader into popular culture of the past; the escapist delights of canine cabaret, living skeletons, phantasmagoria and of course waxworks. It reveals a truth that Madame Tussaud understood and harnessed from the outset - the mass-market appeal of glamour and gore is enduring and universal.
