Diana Athill byla britská literární redaktorka, spisovatelka a autorka pamětí, která během své kariéry spolupracovala s největšími autory 20. století. Její práce v nakladatelství André Deutsch Ltd. jí umožnila formovat literární krajinu a vydávat díla, která ovlivnila čtenáře po celém světě. Athill se ve své vlastní tvorbě zaměřovala na hluboké lidské zkušenosti a reflexe, často s nekompromisní upřímností a pronikavým vhledem. Její styl se vyznačuje precizností a jemným pozorováním, což čtenářům poskytuje nezapomenutelný a podnětný zážitek.
Diana Athill, born in 1917, made her reputation as a writer with the candour
of her memoirs. Celebrating her life and writing, this title brings together
four of her best-loved memoirs, spanning her very English childhood, her life
and loves during World War II, her publishing career at Andre Deutsch, and her
reflections on old age.
The story of Diana Athill's relationship with Didi - a gifted writer and an
Egyptian in exile - and a remarkably honest, poignant look at love and grief.
England, in the mid-fifties. Meg Bailey has always aspired to live a respectable life. With her best friend, Roxane, she moves from secondary school to an un-Bohemian art college in Oxford. Under the watchful eye of Roxanne's mother, Mrs Wheeler, the two girls flourish in Oxfordian society. But Meg constantly longs for more. Not content to stay in Oxford, she finds a job in London. Roxane stays behind and marries Dick, a man of Mrs Wheeler's choosing. As Meg's independence grows, Dick suddenly appears in London for work. A connection to her past, Meg and Dick's friendship flourishes, blurring the lines of loyalty between what is and what was in a way that changes life for these three friends forever. As sharp and starling now as when it was written, this unflinching and candid book of love and betrayal encapsulates Diana Athill's gift of storytelling at its finest.
In this sequel to Costa Biography Award-winning Somewhere Towards the End, Diana Athill writes vivaciously, poignantly, and with extraordinary clarity about what really matters in the end, from the remarkable vantage point of her late nineties
Diana Athill's account of her turbulent relationship with Black Power activist
Hakim Jamal in the 1960s: raw and unflinching, a memoir of friendship, love,
mania and injustice.
Written with Diana Athill's trademark insight and wry humour, a memoir of
Diana's childhood, in England in the 1920s, that asks: does privilege equate
to happiness?
An esteemed memoirist and one of the great editors in British publishing examines aging with the grace of Elegy for Iris and the wry irreverence of I Feel Bad About My Neck.