Jeffrey D. Grove Knihy

Since the late 1990s Michaël Borremans has created an improbably mature body of work that has captured international attention. The disparate spaces he imagines in his paintings, drawings, sculptures, and films are unified by an uncanny sense of dislocation and often unsettling beauty. Rendered in complex palettes and exquisite techniques, Borremans’ works in all media embrace a rich legacy of artistic progenitors, but remain firmly anchored in the present. Presenting over 100 works created by the artist over a fourteen-year period in all media, this large scale publication offers the most complete overview of Borremans’ oeuvre to date. Contributions include a concise and incisive overview of Borremans’ practice; a revealing, in-depth interview with the artist, addressing process, influence, and philosophical and critical issues; as well as more than 50 individual entries and mini-essays on individual works in the artist’s oeuvre by notable writers, curators, filmmakers, and musicians. (Dutch edition ISBN 978-3-7757-3770-8, French edition ISBN 978-3-7757-3771-5) Exhibition schedule: BOZAR, Brussels, February 22–August 3, 2014 | Tel Aviv Museum of Art September 4, 2014–January 31, 2015 | Dallas Museum of Art March 15–July 5, 2015

Dolores Soldevilla Nieto was a passionate Cuban artist whose career blossomed in the 1950s. Following early professional turns, she emerged later in life as a prolific artist and fervent advocate for culture. She became Cuba’s cultural attaché to Europe, embarking on a path that would dramatically alter the course of her life and the discourse surrounding Cuban abstraction at mid-century. Residing in Paris, she studied in the ateliers of prominent European artists, and, after returning to Cuba, she played an active role as a vital link between the European avant-garde and the new voices of abstraction emerging throughout Latin America and Cuba. Loló Soldevilla: Constructing Her Universe is the first monograph devoted to her remarkable achievements, providing compelling insight into the life and work of this exceptional artist. LOLÓ SOLDEVILLA (1901–1971) started her artistic career rather late. First working as a teacher, Soldevilla did not begin studying art until 1949, when she started at the Paris Académie de la Grande Chaumière with the sculptors Leopold Kretz and Ossip Zadkine, where she also learned about Concrete Art. LOLÓ SOLDEVILLA (1901–1971) started her artistic career rather late. First working as a teacher, Soldevilla did not begin studying art until 1949, when she started at the Paris Académie de la Grande Chaumière with the sculptors Leopold Kretz and Ossip Zadkine, where she also learned about Concrete Art.