Eva Hoffman Knihy

Sixty years after the Holocaust, the author of "Lost in Translation" explores the difficult process of preserving an authentic version of its tragic events

Shortly after the dramatic events of 1989, Eva Hoffman, a Polish-born American, spent several months travelling through Poland and four other Eastern European countries which had just undergone an historic transformation. This is her narrative of those travels, and a portrait of a social landscape in the midst of change.

In Shtetl (Yiddish for "small town"), critically-acclaimed author Eva Hoffman brings the lost world of Eastern European Jews back to vivid life, depicting its complex institutions and vibrant culture, its beliefs, social distinctions, and customs. Through the small town of Braƒsk, she looks at the fascinating experiments in multicultural coexistence--still relevant to us today-- attempted in the eight centuries of Polish-Jewish history, and describes the forces which influenced Christian villagers' decisions to conceal or betray their Jewish neighbors in the dark period of the Holocaust.

“A marvelously thoughtful book . . . It is not just about emigrants and refugees. It is about us all.” –The New York Times When her parents brought her from the war-ravaged, faded elegance of her native Cracow in 1959 to settle in well-manicured, suburban Vancouver, Eva Hoffman was thirteen years old. Entering into adolescence, she endured the painful pull of nostalgia and struggled to express herself in a strange unyielding new language. Her spiritual and intellectual odyssey continued in college and led her ultimately to New York’s literary world yet still she felt caught between two languages, two cultures. But her perspective also made her a keen observer of an America in the flux of change. A classically American chronicle of upward mobility and assimilation. Lost in Translation is also an incisive meditation on coming to terms with one’s own uniqueness, on learning how deeply culture affects the mind and body, and finally, on what it means to accomplish a translation of one’s self.

In this intimate narrative journey, Hoffman returns to her Polish homeland and five other countries--Hungary, Romania, Bulgaria, and the two nations of the former Czechoslovakia--to vividly portray a landscape in the midst of change. "Alert and intuitive."--The Washington Post. Author readings.

Time has always been the great Given, a fact of existence which cannot be denied or wished away; but the character of lived time is changing dramatically. This book offers a look at life's ineffable element, spanning fields from biology and culture to psychoanalysis and neuroscience.

That is, I knew and didn't know-'In this novel, Eva Hoffman explores various kinds and strata of secrets: intimate secrets, and secrets of family past; the kinds of secrets that can be decoded from clues, and the kind that themselves seem to offer tantalizing clues to the fundamental mysteries of the human selfhood. schovat popis

In the latest installment of the acclaimed School of Life series, learn how to make peace with your down time—and even benefit from it. Lethargic inactivity can be debilitating and depressing, but in the modern world the pendulum has swung far in the other direction. We live in a hyperactive, over-stimulated age. Uninterrupted activity can seem exciting, but it can also leave us emotionally disorientated and mentally depleted. How can we recover a sense of balance and a richness in our lives? In How to Be Bored, Eva Hoffman argues for the need to cultivate curiosity and self-knowledge and to relish moments of unplugged idleness and non-virtual contact with others. Drawing on psychoanalysis, neuroscience, and a wide range of literature, she emphasizes the need to understand our own preferences and purposes and to replenish our inner resources. This book aims to make readers more vigorously engaged in their lives and to restore a sense of depth and meaning to their experiences.

"Czeslaw Milosz (1911-2004) was one of the great literary voices of the twentieth century, in no small part because he very much lived the events and ideologies of that century. Born into a Polish family in what was then the western fringe of the Russian Empire, and what is now Lithuania, a young man Milosz found his life upended by the First World War and his father's conscription in the Russian army. In the Second World War, he provided aid to Jews in Warsaw as a partisan and a member of the Polish socialist underground. But after the war he lived as a permanent exile, from Poland, from Soviet communism, from his early fervent Catholicism and then, later, even from the almost garish extremes and inequalities of the American society in which he chose to live. His work is a lasting legacy. His poetry remains in print, whether in Polish or English or the other languages into which it has been translated, and his two classic works of prose non-fiction, The Captive Mind, his reflection on the hypnotic effect of ideology, and Native Realm, his memoir on his life in Poland and his life away from it, have been reissued in Penguin Classics. He won the Nobel Prize in Literature in 1980. In this new volume of the Writers on Writers series, writer Eva Hoffman draws on her conversations with Milosz during their encounters and her own private engagement with his work, in order to comprehend someone whose intellectual and geographic trajectory serves as a mirror to her own, as someone who emigrated with her family from her native Poland and who has since lived and pursued a literary career in the anglophone world. Hoffman concentrates on several important themes in Milosz's life and work, such as his resistance to dogma and fanaticism, his fascination with place and geographic separation, his awareness of his own exile, his attraction to all life, his capacity for pleasure, and finally his basic humanism, which underpinned his poetry"-- Provided by publisher