Until the twentieth century, the idea that women in the West have always made art was rarely cited as a possibility. Yet they have--and, of course, continue to do so--often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The mirror and the palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lives lives of great resilience, creativity and bravery. Illustrated are self-portraits of Marcia from Giovanni Boccaccio De mulieribus claris, Catharine van Hemessen, Sofonisba Anguissola, Judith Leyster, Artemisia Gentileschi, Elisabetta Sirani, Mary Beale, Rosalba Carriera, Élisabeth Vigée Le Brun, Angelica Kauffman, Mari Bashkirtseff, Gwen John, Paula Modersohn-Becker, Helene Schjerfbeck, Suzanne Valadon, Margaret Preston, Nora Heysen, Amrita Sher-Gil, Leonora Carrington, Loïs Maillou Jones, Rita Angus, Frida Kahlo, and Alice Neel
Jennifer Higgie Knihy






Jennifer Higgie wurde in Australien geboren. Sie ist Autorin mehrerer Bücher. Sie verfasst Drehbücher und ist Mitherausgeberin von „Frieze“, einem Londoner Magazin für zeitgenössische Kunst.
'Endlessly intriguing . . . I was enchanted' - DAILY TELEGRAPH 'Illuminating in every sense of the word' - John Higgs In an illuminating blend of memoir and art history, The Other Side explores the lives and work of a group of extraordinary women artists. From the twelfth-century mystic Hildegard of Bingen and the nineteenth-century spiritualist Georgiana Houghton to the pioneering Hilma af Klint, these women all - in their own unique ways - shared the same goal: to communicate with, and learn from, other dimensions. Weaving in and out of their myriad lives, Jennifer Higgie considers the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art.
Far Too Noisy, My Dear Mozart
- 160 stránek
- 6 hodin čtení
Full of historical quotes, this book contains 750 amusing insults grouped together by category.
This title traces the role humour plays in transforming the practice and experience of art, from the early twentieth-century avant-gardes, through Fluxus and Pop, to the diverse, often uncategorizable works of some of the most influential artist's today.
Tracey Emin Paintings
- 352 stránek
- 13 hodin čtení
This comprehensive study delves into the works of Tracey Emin, a renowned British artist known for her provocative and emotive paintings. It explores her unique artistic vision and the themes of femininity, identity, and personal experience that permeate her work. The book offers critical analysis and insights into Emin's contributions to contemporary art, highlighting her significance as a female icon in the art world.
The first published book on the work of London-based artist Jade Fadojutimi, produced by Pippy Houldsworth Gallery, London, to accompany Fadojutimi's second solo exhibition with the gallery.
There's Not One
- 28 stránek
- 1 hodina čtení
In kaleidoscopic colour, Higgie takes young readers on a journey from some of life's most important things (baked beans!) to some of life's biggest wonders (stars!)
Look Again is Tel Aviv-born, London-based artist Gideon Rubin’s second major trade monograph and showcases his substantial body of work since 2015.