The Art of Noir
- 272 stránek
- 10 hodin čtení
As tantalizingly dark, dangerous, and utterly stylish as film noir itself, this lavish, oversized volume highlights the most stunning posters and graphics of the classic noir era. 250+ illustrations.
Eddie Muller se proslavil jako "Císař Noir" díky svým oceňovaným knihám o filmu noir. Jeho hluboké znalosti a vášeň pro tento žánr pramení z jeho vlastních zkušeností, od pobytu v novinových kancelářích po umělecké studium a fascinaci filmovou tvorbou. Mullerova práce se vyznačuje jedinečným pohledem na temné stránky lidské povahy a světa filmu, což čtenářům přináší poutavé a intelektuálně stimulující zážitky.






As tantalizingly dark, dangerous, and utterly stylish as film noir itself, this lavish, oversized volume highlights the most stunning posters and graphics of the classic noir era. 250+ illustrations.
Welcome to Dark City, urban landscape of the imagination. A place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, who led readers on a guided tour of the seamier side of motion pictures in Grindhouse: The Forbidden World of 'Adults Only' Cinema, now takes us on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, when art, politics, scandal, style--and brilliant craftsmanship--produced a new approach to moviemaking, and a new type of cultural mythology. Dark City is a 1999 Edgar Award Nominee for Best Critical / Biographical Work.
Film noir is all about style, even more than it is about crime.
From celebrated Dark City author, TCM host, and film noir expert Eddie Muller comes the tale of hardboiled cat detective Kitty Feral and the search for a candy-crusted chocolate confection-and a missing friend.
Eddie Muller-host of TCM's Noir Alley, the world's leading authority on film noir, and cocktail connoisseur-takes film buffs and drinks enthusiasts alike on a spirited tour through the (under)world of film noir in this stylish cocktail book.
Welcome to Hollywood, circa 1950, the end of the Golden Age. A remarkably handsome young boy, still a teenager, gets "discovered by a big-time movie agent. Because when he takes his shirt off young hearts beat faster, because he is the picture of innocence and trust and need, he will become a star. It seems almost preordained. The open smile says, "You will love me," and soon the whole world does. The young boy's name was Tab Hunter—a made-up name, of course, a Hollywood name—and it was his time. Stardom didn't come overnight, although it seemed that way. In fact, the fame came first, when his face adorned hundreds of magazine covers; the movies, the studio contract, the name in lights—all that came later. For Tab Hunter was a true product of Hollywood, a movie star created from a stable boy, a shy kid made even more so by the way his schoolmates—both girls and boys—reacted to his beauty, by a mother who provided for him in every way except emotionally, and by a secret that both tormented him and propelled him forward. In <i>Tab Hunter Confidential: The Making of a Movie Star</i>, Hunter speaks out for the first time about what it was like to be a movie star at the end of the big studio era, to be treated like a commodity, to be told what to do, how to behave, whom to be seen with, what to wear. He speaks also about what it was like to be gay, at first confused by his own fears and misgivings, then as an actor trapped by an image of boy-next-door innocence. And when he dared to be difficult, to complain to the studio about the string of mostly mediocre movies that were assigned to him, he learned that just like any manufactured product, he was disposable—<i>disposable and replaceable</i>. Hunter's career as a bona fide movie star lasted a decade. But he persevered as an actor, working continuously at a profession he had come to love, seeking—and earning—the respect of his peers, and of the Hollywood community. And so, <i>Tab Hunter Confidential</i> is at heart a story of survival—of the giddy highs of stardom, and the soul-destroying lows when phone calls begin to go unreturned; of the need to be loved, and the fear of being consumed; of the hope of an innocent boy, and the rueful summation of a man who did it all, and who lived to tell it all.