The book examines the influence of Ibsen on Chinese theatre and its role in shaping modern selfhood, particularly regarding gender and women's identity. It highlights how Ibsen's ideas have inspired radical thought and social liberation, impacting Chinese revolutions since the early twentieth century. By analyzing theatre as a public sphere, the study reveals ongoing explorations of individualism and selfhood in contemporary China, showcasing the enduring relevance of Ibsenian concepts in cultural expressions across various mediums.
