Paul Dillon Knihy

Set against the backdrop of 1884, the story unfolds with a tragic incident involving a group of Aborigines gathered around a campfire. As they share stories, they come under fire, resulting in a harrowing escape for one named Tommy, while the others fall victim to the attack. The following day, Alicky, a local boy, recounts the event to John Moffat, a prominent townsman, who seeks to understand the tragedy by visiting the campsite. The narrative explores themes of survival, community, and the impact of violence on indigenous lives.

The narrative explores the conflicting perspectives on colonial expansion in Australia, focusing on John Dowling, a pioneer whose ambitions led to his untimely death. It raises critical questions about prioritizing economic development versus environmental preservation, examining the impact of white settlers and their livestock on indigenous lands and ecosystems. The story reflects on the legacy of colonialism, highlighting the tension between progress and the consequences faced by both the land and its original inhabitants.

The biography delves into the life of Frederick Walker, highlighting his role as Commandant of the Native Police during a tumultuous period in Australian history. Known for his compassionate approach towards Aborigines, Walker faced significant criticism from squatters and continues to be misunderstood today. The book serves as a comprehensive defense against accusations of wrongdoing, drawing on extensive original sources to challenge the negative perceptions surrounding his legacy. It portrays Walker's life marked by isolation and hardship while advocating for a reevaluation of his contributions.

The book explores the significance of bêche-de-mer, a delicacy in various Asian cuisines, particularly during Queensland's colonial era. It highlights the role of Aboriginals in harvesting these creatures from the coral reefs of Torres Strait and the Great Barrier Reef, emphasizing the communal effort required for hunting in diverse marine environments. Through this lens, the narrative delves into cultural practices and the historical interactions between indigenous peoples and their natural resources.

Exploring the colonial narrative, the book examines the parallels between the American cowboy and Indian trope and Australia's own history of settlement. It questions the portrayal of white settlers as heroes who transformed the wilderness into a civilized society, probing whether their actions brought genuine prosperity or merely reflected a colonial mindset. The text delves into themes of authority, civilization versus wilderness, and the moral implications of colonization, inviting readers to reconsider the value of Australia's colonial legacy.

Exploring the Wide Bay frontier during colonial times, this book by Paul Dillon offers a candid examination of the Fraser Island Massacre. Drawing on his expertise in Queensland history, Dillon presents a thought-provoking narrative that challenges perceptions and delves into the complexities surrounding this historical event. His straightforward approach invites readers to consider the truths and myths that have emerged over time, making it a compelling read for those interested in Australian history.

Focusing on colonial Queensland's influence, the book explores its crucial role in shaping British New Guinea's development. It highlights the strategic significance of the Torres Strait and its steamship routes, alongside the geopolitical rivalry with Germany over New Guinea in 1883. Dillon emphasizes Queensland's determination, which led to the establishment of a government house in Port Moresby in 1888. The narrative underscores the belief among key politicians that New Guinea and nearby Pacific Islands were vital to the future of Australia.

Set against a backdrop of celestial wonders, the narrative unfolds a magical musical symphony that captivates audiences day and night. The enchanting performances, influenced by the rhythms of the stars, sun, and moon, create a unique atmosphere that intertwines music with the natural world, inviting readers to experience the harmony between art and the cosmos.

A murder thriller set in Outback, Australia. Backpackers alone in the isolated Red Centre of Australia, in the cruel Outback alone, frightened, surrounded by an impenetrable wall of silence and mystery, where random acts of violence strike at any moment, where the vastness, the isolation, anxiety, fear and febrile thoughts convulse the traveller into a vortex of hysteria and high drama. The boyfriend shot in the head. Brutal savagery against a defenceless woman after her boyfriend is coldly eliminated in the remoteness of the Australian bush, miles from any form of civilisation. Then the slow march to recovery and sanity while the press and the police unravel the surreal past in a frenzy of press speculation, doubt, accusations, lies and mistrust. To finally have the matter dragged through the mangle of a courtroom drama, where the heroine is debased, abused, accused and finally vindicated.