Jamajka Kincaidová je uznávaná autorka, která pronikavě zkoumá témata identity, postkolonialismu a složitosti rodinných vztahů. Její próza, často lyrická a snová, se vyznačuje nekompromisním zkoumáním historické a osobní traumy. Prostřednictvím svých děl se Kincaidová snaží odhalit skryté dynamiky moci a zpochybnit převládající narativy. Její jedinečný styl a hluboké porozumění lidské psychice z ní činí nezbytnou autorku pro každého, kdo hledá literaturu, která je zároveň krásná a provokativní.
Vyprávění Xuely Claudette Richardsonové podává čtenáři pochmurný příběh plný zloby a vzteku. Sedmdesátiletá hrdinka se ohlíží za svým životem, snaží se vyrovnat se smrtí matky, jež zemřela při jejím porodu, a současně s vržeností do světa, který je jí cizí, nepřátelský a v němž se po celý život cítí zoufale sama. Vypravěčka z knihy vychází jako silná osobnost, které se podařilo vypořádat s nástrahami a překážkami, které před ní postavil život, ovšem z boje vyšla hluboce poznamenaná.
Jamaica Kincaid’s poetic and affecting story of an ordinary man attempting to make a home on the island of Antigua.
Lyrical, sardonic, and forthright by turns, this memoir is a brilliant look at colonialism and its effects in Antigua, by the author of "Annie John."
Jamaica Kincaid's inspired, lyrical short storiesReading Jamaica Kincaid is to plunge, gently, into another way of seeing both the physical world and its elusive inhabitants. Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean--family, manners, and landscape--as distilled and transformed by Kincaid's special style and vision.Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things--a house, a cup, a pen. Transfiguring our human form and our surroundings--shedding skin, darkening an afternoon, painting a perfect place--these stories tell us something we didn't know, in a way we hadn't expected.
Originally featured in the New Yorker’s ‘Talk of the Town’ column, these are Jamaica Kincaid’s first impressions of snobbish, mobbish New York.
One of our finest writers on one of her greatest loves. Jamaica Kincaid's first garden in Vermont was a plot in the middle of her front lawn. There, to the consternation of more experienced friends, she planted only seeds of the flowers she liked best. In My Garden (Book): she gathers all she loves about gardening and plants, and examines it generously, passionately, and with sharp, idiosyncratic discrimination. Kincaid's affections are matched in intensity only by her dislikes. She loves spring and summer but cannot bring herself to love winter, for it hides the garden. She adores the rhododron Jane Grant, and appreciates ordinary Blue Lake string beans, but abhors the Asiatic lily. The sources of her inspiration -- seed catalogues, the gardener Gertrude Jekyll, gardens like Monet's at Giverny -- are subjected to intense scrutiny. She also examines the idea of the garden on Antigua, where she grew up. My Garden (Book): is an intimate, playful, and penetrating book on gardens, the plants that fill them, and the persons who tend them.
A classic coming-of-age story from Jamaica Kincaid, following a young woman as she enters adulthood against the backdrop of a strange and unfamiliar country.
Jamaica Kincaid's poweful and moving account of the life and death of her younger brother.
For use in schools and libraries only. The theme of lost childhood remains constant in this short fictional narrative of rebellious Annie John's coming of age on the small island of Antigua.
Jamaica Kincaid's engrossing account of a three-week trek through the Himalayas with fellow horticulturalists, intertwining mediations on the stunning landscapes with observations on culture, tourism and family.