A Rhetoric of Performativity
This book explores affective practices in performance through four contemporary performers, proposing a rhetoric of performativity that fosters political affect and social justice. It examines how performers engage with unknown materials relevant to daily life and analyzes paradoxical figures to understand processes of becoming and valuing in performance.
think of my body as a shell that I could vacate, not as metaphor, or symbol but as a real possibility Body Shell Girl is a memoir in verse about the first two years of a decade that Rose Hunter spent in the sex industry in Canada. When Rose walked into a massage parlour in Toronto in 1997, she was looking for a temporary fix to pay rent and avoid having to go back to her home country of Australia. Awkward, shy and looking for a place to belong, she found herself in a strange world she understood little about, other than here she could make more than rent. She planned to use her earnings to buy herself an education that would secure the career of her dreams. Naively believing she could do only what was required of her, without trauma or side effects and leave the industry on her own terms, she was shattered by what unfolded. This is her story. It is also a searing portrayal of this dehumanising industry in all its destructive power.