Tento autor, renomovaný novinář a mediální manažer, se zaměřuje na hloubkové zkoumání společenských a historických témat. Jeho rozsáhlá kariéra v žurnalistice, včetně práce pro významná britská média a novozélandské televizní pořady, mu poskytla jedinečný vhled do fungování světa. Své zkušenosti a analytické schopnosti přetavuje do působivých děl, která odhalují složitost a propojenost moderní společnosti.
Neolithic Britain is an up-to-date, concise introduction to the period of
British prehistory from c. 4000-2200 BCE, covering key material and social
developments, and reflecting on the nature of cultural practices, tradition,
genealogy, and society across nearly two millennia.
Lighthouses of the Southern States is the classic guide to the most significant lighthouses in the Carolinas, Georgia, and Florida. Through stirring historic accounts and stunning color and archival photographs, the stories of more than thirty-five lighthouses come alive in vivid detail. Each light--from Bodie Island Light on the Outer Banks to the Cape Florida Light outside Miami--tells its own engrossing tale of survival. Discover the rich history behind these majestic sentinels, and learn more about visiting them.
Lighthouses of the Great Lakes combines the fascinating history and lore of approximately forty-one lighthouses with stunning color and black-and-white photographs. Focusing on the lighthouses of Lake Michigan and Lake Superior, this beautifully illustrated book provides stirring descriptions of the lighthouses as well as directions and details on visiting these memorable Great Lakes landmarks.
Lighthouses and ghosts are two popular passions. Melded together by master
storyteller and lighthouse expert Ray Jones, these tales of spirited lights
are guaranteed to grab the attention of all readers. As an added bonus,
practical information is given for those who wish to visit the featured
lighthouses for themselves . . . if they dare.
Lyrically inventive, ekphrastic poems that interrogate art, race, and humanity's dark history. Juxtaposing references from Jacques Derrida with Kamau Brathwaite's Middle Passages, and Hortense Spillers's "Mama's Baby, Papa's Maybe: An American Grammar Book," these are poems that enact language, art, and race like no other. In this debut collection from Keith Jones, many of the poems engage with, think through, or alongside of Cy Twombly paintings or the materiality of his sculptures or drawings. These poems enact a fascination, in language, or as utterance, with Twombly's color, his line's errantries, with his vanishing figures and sounds, with his sense of "history" as partial, palimpsestic, under erasure, and variously "voiced." But if Twombly is a painter of the Middle Sea, these poems conjure the longue durée of the Middle Passage. Twombly once wrote, "White paint is my marble." Here, the white is the page.
It will be of interest to student and qualified social workers, social policy
students and researchers, and policy makers, as well as those with a general
interest in the history and trajectory of current issues facing social work
and social care in England.