Knihobot

Scott Curtis

    Relaying Cinema in Midcentury Iran
    Introduction to Semitic Comparative Linguistics
    Field Guide to Renosterveld of the Overberg
    Shape of Spectatorship
    Atomic Days
    • The Hanford Nuclear Reservation in Washington state has become the most toxic site in the Western Hemisphere, yet most Americans are in the dark about the damage their government's nuclear obsession has wrought on the environment and their tax dollars.

      Atomic Days
    • Draws our eye to the role of scientific, medical, educational, and aesthetic observation in shaping modern conceptions of spectatorship

      Shape of Spectatorship
    • "Experts estimate that just 5 per cent of original Renosterveld survives in a landscape fragmented by agriculture and human settlements. Often regarded as the ugly sister of Fynbos, Renosterveld is part of the Greater Cape Floristic Region's Fynbos biome. While this biome's more charismatic members--proteas, ericas and restios--survive in nutrient-poor environments, the shrublands of Renosterveld grow in relatively fertile soils. Extraordinarily diverse, this vegetation type is dominated by bulbs, flowering plants and palatable grasses. Field Guide to Renosterveld of the Overberg describes almost 1,000 plants and 140 animals found in the region. ... Detailing exciting new discoveries together with endemic and threatened species, this field guide promises to be an enduring record and a vital addition to any nature lover's bookshelf."--Page 4 of cover

      Field Guide to Renosterveld of the Overberg
    • "Relaying Cinema in Midcentury Iran investigates how the cultural translation of cinema has been shaped by the physical translation of its ephemera. Kaveh Askari examines film circulation and its effects on Iranian film cultures in the period before foreign studios established official distribution channels and before Iran became a notable site of so-called world cinema. This transcultural history draws on cross-archival comparison of films, distributor memos, licensing contracts, advertising schemes, and audio recordings. Askari meticulously tracks the fragile and sometimes forgotten material of film as it circulated through the Middle East into Iran and shows how this material was rerouted, reengineered, and reimagined in the process. "--

      Relaying Cinema in Midcentury Iran