Exploring the intricate social and political themes presented by Asian-American playwrights, the author highlights how these artists shape a distinct understanding of "Asian-America." Each playwright's unique sensibilities contribute to a diverse portrayal of identity and experience, reflecting the complexities of Asian-American life.
While most discussions of race in American theater emphasize the representation of race mainly in terms of character, plot, and action, Race in American Musical Theater highlights elements of theatrical production and reception that are particular to musical theater. Examining how race functions through the recurrence of particular racial stereotypes and storylines, this introductory volume also looks at casting practices, the history of the chorus line, and the popularity of recent shows such as Hamilton .Moving from key examples such as Show Boat! and South Pacific through to all-Black musicals such as Dreamgirls, Bring in 'da Noise, Bring in 'da Funk, and Jelly's Last Jam , this concise study serves as a critical survey of how race is presented in the American musical theater canon.Providing readers with historical background, a range of case studies and models of critical analysis, this foundational book prompts questions from how stereotypes persist to “who tells your story?”
Set in the fictional town of Titipu, this beloved opera features memorable characters like Yum-Yum, Nanki-Poo, and Pooh-Bah. Since its premiere in 1885, it has offered a unique and whimsical portrayal of Japan, blending humor and satire. The work reflects a distinct cultural interpretation, influencing various art forms and continuing to resonate with audiences today.