Knihobot

Naja M. Aidt

    Naja Marie Aidtová je dánská básnířka a spisovatelka, jejíž dílo se noří do hlubin lidské existence. Její texty se vyznačují syrovou upřímností a pronikavým pozorováním. Aidtová mistrně pracuje s jazykem, aby prozkoumala témata ztráty, lásky a hledání smyslu v každodenním životě. Její poezie a próza rezonují s čtenáři svou emocionální hloubkou a existenciální naléhavostí.

    Tools for Extinction
    When Death Takes Something From You Give It Back
    • In March 2015, Naja Marie Aidt's son Carl died at twenty-five years old in a tragic accident. When Death Takes Something from You, Give It Back describes the first year after that devastating phone call, until the shock slowly wears off. It is at once a sober account of life after losing a child--showing how grief transforms your relationship to reality, your loved ones, and time--and a book about the language of poetry, loss, and love. How do you approach the impossible to write about your deceased child? The book's complex form enacts the rupture and process of assembling the pieces. There are short prose sections addressed to Carl and intense lyric passages. There are fragments from the present that merge with flashbacks and journal entries from the past. Quotes appear throughout from an array of literary voices, woven together with Naja Marie Aidt's own voice. This multifarious book defies genre or any singular description

      When Death Takes Something From You Give It Back
    • "Eighteen international writers respond to the open-ended period of social distancing, closures, and illness caused by Covid-19. Compiled during the initial lockdown in Europe, this special collection is a meteoric publishing project with contributions from some of the most exciting and innovative authors working today. Meditating on notions of distance and closeness, sameness and alterity, extinguishing and kindling, Tools for Extinction considers how a common pause might give rise to new modes of domesticity and shift experiences of time. What gestures and actions are we willing to perform to make ourselves, and each other, feel at ease - or at work? What tools and objects are useful, or unprecedentedly useless, to us in the process? And as our species' trademark proclivity for projecting ourselves into the future is disrupted, might we come to see the buildings, animals, plants, and foodstuffs around us in a new light? The anthology takes its name from Steven Brand's Whole Earth Catalog, a 1960s counterculture compendium of product reviews, essays, and articles on the themes of self-sufficiency, ecology, and alternative education. By giving "access to tools", a new social order and a more sustainable Earth was imagined."--Publisher's description

      Tools for Extinction