Focusing on the 1950s, this work explores how Hindi cinema reflects and influences perceptions of Pakistan and the India-Pakistan relationship. It examines the evolution of this theme in films, highlighting its significance in shaping Indian identity and attitudes toward its neighbor. Through an analysis of cinematic narratives, the book reveals the complex interplay between film and national sentiment during a pivotal era in South Asian history.
Focusing on the evolution of terrorism portrayals in Hindi cinema, this book provides in-depth analyses of significant films like Roja, Maachis, and Uri: The Surgical Strike. It explores how these cinematic representations reflect and respond to the immediacy of real-life terror acts, revealing the complex interplay between film and societal perceptions of violence and conflict. Through its examination, it sheds light on the cultural and political implications of these narratives in shaping public understanding of terrorism.