This innovative work offers fresh insights into opera, addressing numerous unresolved questions within the genre. By exploring unique perspectives and interpretations, it seeks to deepen the understanding of opera's complexities and nuances, making it a significant contribution to the field.
Focusing on the Prague Italian opera company, this study explores its significant contribution to the performance of Mozart's works during the late eighteenth century. It delves into the cultural and artistic environment of the time, highlighting the company's influence on the reception of Mozart's music and its impact on the operatic landscape in Prague. Through detailed analysis, the book sheds light on the intersection of Italian opera and Mozart's compositions, revealing the dynamics of performance practices in that era.
The book delves into the compositional history of Don Giovanni, revealing detailed evidence that supports Da Ponte's memories of the opera's revision process in Vienna as interactive. It proposes a general theory of transmission, which distinguishes between the dynamic nature of re-creation and the fixed nature of replication in the context of operatic texts. This exploration enhances understanding of the complexities involved in the evolution of the opera's composition.
The King's Theatre, Garrick and the Business of Performance
Focusing on the vibrant cultural scene of Italian opera in late eighteenth-century London, this book delves into the artistic and social dynamics of the time. It examines how opera influenced and reflected the tastes, politics, and identities of its audiences, showcasing the interplay between music, performance, and society. Through detailed analysis, it highlights the significance of Italian opera in shaping London's cultural landscape during this period.
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