This book is a comparative legal study of the private and public art collections in various states of the world, covering the most important issues that usually arise and focusing on the differences and the similarities of the national laws in the treatment of those issues.
Focusing on international and cross-border insolvencies, the book analyzes various national legislations and jurisprudence while comparing them with international instruments. It highlights notable cases that reveal the stronghold of national law in insolvency matters. The discussion includes the challenges of transplanting foreign insolvency rules and the significant influence of US insolvency law on other jurisdictions. Offering a realistic view, it addresses the complexities of cross-border insolvencies and proposes potential solutions to these issues.