The book explores the significant role of textiles, particularly arras hangings, in early modern literature and drama. It argues that these tapestries served not just as decorative elements but as narrative models for writers like Edmund Spenser and William Shakespeare. By engaging audiences through the familiar art of weaving, authors allowed readers to project their desires onto "blank" tapestries, thus enhancing their involvement in the story. The work examines the deeper connections between literature and textiles, shedding light on the visual arts in post-Reformation England.
