The Time of the Image
A Philosophical Exploration of the Image in the Work of Bernard Stiegler
This philosophical exploration delves into the concept of the image and its intricate relationship with time. It presents the image as a temporal object, intertwining thought with the mimetic faculty to translate vague aggregates into imitations that serve as both artistic and political forces of resistance. The inquiry centers on how the proliferation of images influences the constitution of the subject, particularly in an era overwhelmed by visual stimuli. It distinguishes between images in art and those within the culture industry, emphasizing the necessity of this differentiation. The argument unfolds from the understanding that images are inherently linked to time, functioning as recorded memories that embody remnants of temporal experiences. This connection allows for the subject's formation, where any constitution reflects an imitation of what is absent, revealing a "missing dimension of time." By integrating philosophy, cultural theory, and contemporary art, the work draws on Bernard Stiegler’s idea that "technics precedes thought," suggesting that humans are shaped by technics, which facilitates an ongoing process of trans-individuation. It also revisits Husserl’s insights on memory, the concept of "derushage" in montage, and the evolution of mimesis, ultimately enriching our understanding of the image's role in shaping human experience.
