Canada Guernica Editions Pořadí knih

The anthology, Rudy Wiebe: Essays on His Works, compiled and edited by Bianca Lakoseljac, examines Wiebe's works and his achievements as an author, editor, professor and mentor who helped shape successful authors and encouraged a passion for Canadian literature. Intriguingly, while Wiebe's writing has been labeled as "brilliant" and "magnificent," it has also been seen as "challenging" due in part to his propensity for a rather Faulknerian turn of phrase and his use of multifaceted storymaking approaches, such as intertextual and intratextual dynamics, and the sociopolitical views and religious beliefs they embody. Rudy Wiebe's literary work raises him to the status of a Canadian literary icon whose fiction and nonfiction are seen as major contributions to Canadian literature, and will continue to be enjoyed for generations to come.

Writers and critics have long acknowledged Bronwen Wallace's unique contribution to Canadian literature and yet her work has received little academic recognition. This collection attempts to remedy this with voices old and new. A critical introduction, biography, and interview are followed by previously published essays by Susan Rudy, Brenda Vellino, and Aritha Van Herk and new contributions from Mary di Michele, Lorraine York, Susan Glickman, Wanda Campbell, and Andrea Beverley. Rounding out the collection are poems by Patrick Lane, Phil Hall, Phyllis Webb, and Wallace's son Jeremy Baxter, along with a bibliography of primary and secondary sources.

This rich volume begins with a major new essay by renowned short story critic and theorist Charles E. May, “Returning to the Alice Munro, Flannery O'Connor, and Eudora Welty,” followed by a major new essay by one of Munro's most long-standing and most perceptive readers, Catherine Sheldrick Ross, identifying and examining the major concerns which Munro has revisited so compellingly for the duration of her astonishing career. Overall, the twenty contributions to Alice Munro Everlasting take an ardently literary approach, with each essay focussing -- uniquely amongst studies of any short story writer -- on the last stories in Munro's fourteen volumes from Dance of the Happy Shades to Dear Life. Collectively, the many different contributions to Alice Munro Country and Alice Munro Everlasting offer a new model for the art of the critical essay -- combining imagination and analysis, personal testimony and scholarship. They are intended equally to honour the genius of Alice Munro and to give enjoyment to all interested readers. And as one excited advance reader remarked, “I imagine that these two books will form the core of Alice Munro studies in the future.”