University of Washington Press Knihy

"The Lady of Linshui Pacifies Demons is a seventeenth-century novelistic account of the founding myth of the cult of the Lady of Linshui, the goddess of women, childbirth, and childhood, who is still venerated in Fujian, Taiwan, and other places in Southeast Asia. The goddess's story evolved from the life of Chen Jinggu in Ming dynasty Hunan and has taken the form of vernacular short fiction, legends, plays, sutras, and stele inscriptions at temples where she is worshipped. This "novel" was translated in consultation with Brigitte Baptandier, whose widely praised anthropological study of the goddess's popularity-The Lady of Linshui: A Chinese Female Cult-was published originally in French and later in English translation by Stanford University Press in 2008. Among accounts of goddesses in late imperial China, this work is unique in its focus on the physical aspects of womanhood, especially the dangers of childbirth. It is also unique in dramatizing the contradictory nature of divinities in China through narrating the parallel lives of Chen Jinggu and her spirit double/rival, the White Snake demon who is born as her twin, battles with her over the body of her husband, kills her through devouring her fetus, and finally becomes her spirit mount. This unabridged, annotated translation provides insights into late imperial Chinese religion, the lives of women in the period, and, more broadly, the structure of families and local society"

"For many the phrase "Native nonfiction" inspires thoughts of the past, of timeless oral history transcriptions and dry 19th century autobiographies. In Shapes of Native Nonfiction, Washuta and Warburton explode this perspective by showcasing 22 contemporary Native writers and their provocative approaches to form. While exploring familiar legacies of personal and collective trauma and violence, these writers push, pull and break the conventional essay structure to overhaul the dominant cultural narrative that romanticize Native lives, yet deny Native emotional response. Organized into four sections inspired by different aspects of and strategies for basket weaving (Technique, Coiling, Plaiting, Twining) the essays presented here demonstrate how Native writers manipulate the shape of creative nonfiction to offer incisive observations, critiques and commentary on our political, social and cultural world. The result is an engaging anthology that introduces a variety of audiences to the true range of Native nonfiction work"--

Personal accounts help us understand notions of self, interpersonal relations, and historical events. Chinese Autobiographical Writing contains full translations of works by fifty individuals that illuminate the history and conventions of writing about oneself in the Chinese tradition. From poetry, letters, and diaries to statements in legal proceedings, these engaging and readable works draw us into the past and provide vivid details of life as it was lived from the pre-imperial period to the nineteenth century. Some focus on a person?s entire life, others on a specific moment. Some have an element of humor, others are entirely serious. Taken together, these selections offer an intimate view of how Chinese men and women, both famous and obscure, reflected on their experiences as well as their personal struggles and innermost thoughts. With an introduction and list of additional readings for each selection, this volume is ideal for undergraduate courses on Chinese history, literature, religion, and women and family. Read individually, each piece illuminates a person, place, and moment. Read in chronological order, they highlight cultural change over time by showing how people explored new ways to represent themselves in writing.

Idaho's Place is an anthology of the most current and original writing on Gem State history. From the state's indigenous roots and early environmental battles to recent political and social events, these essays provide much-needed context for understanding Idaho's important role in the development of the American West. Through a creative approach that combines explorations of concepts such as politics, gender, and race with the oral histories of Idaho residents - the very people who lived and made state history - this unique collection sheds new light on the state's surprisingly contentious past. Readers, whether they are longtime residents or newcomers, tourists or seasonal dwellers, policy makers or historians, will be treated to a rich narrative in which the many threads of Idaho's history entwine to produce a complete tapestry of this beautiful and complex Western state.

From the Flint water crisis to the Dakota Access Pipeline controversy, environmental threats and degradation disproportionately affect communities of color, with often dire consequences for people's lives and health. Racial Ecologies explores activist strategies and creative responses, such as those of Mexican migrant women, New Zealand Maori, and African American farmers in urban Detroit, demonstrating that people of color have always been and continue to be leaders in the fight for a more equitable and ecologically just world. Grounded in an ethnic-studies perspective, this interdisciplinary collection illustrates how race intersects with Indigeneity, colonialism, gender, nationality, and class to shape our understanding of both nature and environmental harm, showing how and why environmental issues are also racial issues. Indeed, Indigenous, critical race, and postcolonial frameworks are crucial for comprehending and addressing accelerating anthropogenic change, from the local to the global, and for imagining speculative futures. This forward-looking, critical intervention bridges environmental scholarship and ethnic studies and will prove indispensable to activists, scholars, and students alike.

Combines examples of studio work with edited transcripts of Murcutt's public lectures and sessions with students, professionals, and Finnish architect Juhanni Pallasamaa.

From #Gamergate to the daily experiences of marginalization among gamers, gaming is entangled with mainstream cultures of systematic exploitation and oppression. Whether visible in the persistent color line that shapes the production, dissemination, and legitimization of dominant stereotypes within the industry itself, or in the dehumanizing representations often found within game spaces, many video games perpetuate injustice and mirror the inequities and violence that permeate society as a whole. Drawing from the latest research and from popular games such as World of warcraft and Tomb raider, Woke gaming examines resistance to spaces of violence, discrimination, and microaggressions in gaming culture. The contributors of these essays identify strategies to detox gaming culture and orient players toward progressive ends, illustrating the power and potential of video games to become catalysts for social justice.

"In the eyes of white America, "Aiiieeeee!" was the racist cry from Asian Americans, their singular expression of all emotions-it signified and perpetuated Asian Americans as inscrutable, foreign, obedient, self-hating, undesirable, and one dimensional. With this anthology, first published in 1974, Frank Chin, Jeffery Chan, Lawson Inada, and Shawn Wong outlined the history of Asian American literature and boldly drew the boundaries for what was truly Asian American and what was white puppetry. Showcasing fourteen uncompromising works from authors such as Carlos Bulosan and John Okada, the editors introduced readers to a variety of daring voices. Forty-five years later, the groundbreaking anthology remains a vital collection that still sparks controversy. In the seventies, it helped to establish Asian American literature as a serious and distinct literary tradition, and today, the editors' forceful voices still reverberate in contemporary discussions about American literary traditions. Now back in print with a new foreword by literary scholar Tara Fickle, this third edition of the book is an essential anthology that demonstrates how Asian Americans fought for-and seized-their place in the American literary canon"--

Presents ten post-1990 short stories by prominent writers such as Su Tong and Yu Hua sutable for the advanced language student.