Leigh Claire La Berge revises the medieval form of the bestiary to meet Marxist critique to show how cats have been central to both the consolidation of capitalism as well as some of its most fiercest critics.
Leigh Claire Knihy


Leigh Claire La Berge revises the medieval form of the bestiary to meet Marxist critique to show how cats have been central to both the consolidation of capitalism as well as some of its most fiercest critics.