Christopher Sharrett je autorem a editorem, jehož práce se zaměřuje na analýzu filmových děl a jejich společenského dopadu. Jeho editorská práce na publikaci Crisis Cinema zkoumá apokalyptické motivy v postmoderní filmové tvorbě. Sharrettův akademický přístup k filmu zdůrazňuje kritické myšlení a hlubší porozumění narativním strukturám a jejich kulturním kontextům.
Examines the innovations of Breaking Bad through a study of its main character, using psychoanalysis, genre study, gender studies, American studies, and the graphic arts to assist an exploration of the supreme danger of modern, postindustrial toxic masculinity embodied in Walter White.
Set in 1880s New Mexico, this TV western explores the life of a single father raising his son, challenging traditional genre conventions. It juxtaposes themes of domesticity and reason with the prevalent gun violence associated with the settling of the West. The series features early contributions from notable figures like Sam Peckinpah and was produced by a pioneering team, showcasing the creative talent of its time. The Rifleman stands out for its intelligent storytelling and complex portrayal of American ideals.