Simon Armitage Knihy

Exploring the multifaceted nature of poetry, Simon Armitage presents a blend of personal insights and critical analysis, drawing from his experiences as Oxford's Professor of Poetry. He examines a diverse range of poets, including Emily Dickinson and Walt Whitman, with a playful yet thoughtful approach. Armitage tackles topics from Bob Dylan's Nobel Prize to the challenges of contemporary poetic life, culminating in his "Ninety-Five Theses" on poetry. This engaging work highlights the evolving definitions and significance of poetry in modern times.

The current UK Poet Laureate's popular series of lectures examining what poetry is and who it might be for.

Losing none of the exuberance which has become a hallmark of Simon Armitage's poetry, these poems are more personal. The book is divided into three sections - the Book of Matches which are sonnets, Becoming of Age and Reading the Bans, a series of poems about Armitage's marriage.

SHORTLISTED FOR THE DEREK WALCOTT PRIZE FOR POETRYIt is the current Poet Laureate who has done the most to bring medieval poetry to contemporary audiences . The disputed issues still resonate - concerning identity, cultural habits, class distinctions and the right to be heard.

Simon Armitage, Poet Laureate, brings new perspectives and energy to a timeless poetic subject. Blossomise celebrates the ecstatic arrival of spring blossom just as it acknowledges, too, its melancholy disappearance.

20 years after the Trojan war, the Gods have decided it is time for Odysseus to return to Ithaca, before his wife Penelope is forced to marry again. Angry Poseidon is seeking revenge for the murder of his son, and Odysseus has many perilous storms and treacherous landfalls ahead of him if he is to be reunited with Penelope.

A collection of commissioned, collaborative and occasional poems, demonstrating the range of Armitage's writing outside of his mainstream volumes.

Growing up in Marsden among the hills of West Yorkshire, Simon Armitage has always associated his early poetic experiences with the night-time view from his bedroom window, those 'private, moonstruck observations' and the clockwork comings and goings in the village providing rich subject matter for his first poems.

The narrative features a lively debate between an owl and a nightingale, tackling timeless themes like love, marriage, and identity while reflecting on cultural and class distinctions. Scholars interpret the poem as both a commentary on debate traditions and a reflection on human-animal differences. Simon Armitage's translation employs full rhyming couplets in iambic octameter and is accompanied by a facing-page translation and an insightful introduction, making this early Middle English work accessible and relevant to modern readers.

The volume's 'Intro' charts these projects and the blurred origins of ritualised language, while its 'Outro' offers contextualising notes and anecdotal insights. Never Good with Horses further demonstrates the rich range of Armitage's repertoire and celebrates his ear for the music of language, harnessed here for the page.