Kathy Acker Knihy

Kniha je velmi náročná, jak na čtení, tak i na pochopení souvislostí, které se proplétají skutečně neskutečně: je tu láska mezi Rimbaudem a Verlainem, pletou se do toho dívky/ženy Airplane a Capitol a vše je okořeněno trochou incestu, zneužívání a tápánní ve světě bolesti a rozkoše. Zpověď, obnažení, hledání a rozkrývání ve světě dětství a sexuality.

Podivná, velmi podivná kniha. Změť: sny, roviny, časy, zrození a smrt, to vše se vzájemně prolíná, doplňuje a proplétá až do vyvrcholení se špínou, hřbitovy, piráty, krysami, punkery a dívkami. Příběh o hledání, dětství, sexualitě a světě. Velmi nekonformní kniha, jak už formou, tak i obsahem, jež je jakoby ženskou obdobou Burroughsova díla (masturbující holčičky a vůbec sex a láska mezi ženami).

This volume delves into the creative dialogue between Paul Buck and the late Kathy Acker, highlighting their correspondence from the early 1980s. It explores themes of appropriation and plagiarism, reflecting on their relevance in contemporary discourse. Buck's work transcends traditional boundaries, merging visual arts and literature while reinterpreting Acker's letters and published pieces. The narrative also revisits their initial meetings in Amsterdam and Paris, enriched by contributions from writer Rebecca Stephens and artist John Cussans, creating a transgressive exploration of creativity.

The incredible variety of Acker's body of work has been distilled into a single volume that reads like a communique from the front lines of late-20th century America. Acker was a literary pirate whose prodigious output drew promiscuously from popular culture, the classics of Western civilization, current events, and the raw material of her own life.

This collection features three early self-published novels by Kathy Acker, showcasing her pioneering voice in experimental literature. Accompanied by a new introduction from Kate Zambreno, the book highlights Acker's unique narrative style and thematic explorations. Readers can expect to delve into Acker's unconventional storytelling and bold exploration of identity, sexuality, and the boundaries of language.

This work reinterprets a classic tale, transforming it into a bold exploration of textual appropriation and homage. The narrative subverts traditional expectations of causality and moral sensibility, offering readers a fresh perspective on familiar themes. Through innovative variations, it challenges conventional narrative forms, showcasing Kathy Acker's distinctive voice and literary style. The book invites readers to rethink their understanding of classic literature while engaging with its provocative and experimental approach.

The early 1970s short novels showcase a young writer's bold and provocative style, reflecting a unique, subversive worldview. With themes of sexuality and rebellion, these recently unearthed works capture the essence of Acker's innovative literary voice, offering readers a glimpse into the formative years of her career.

Kathy Acker was a punk-rock counter-cultural icon, and innovator of the literary underground. The interviews collected here span her amazing, uncompromising, and often misunderstood 30-year career. From Acker's earliest interviews--filled with playful, evasive, and counter-intuitive responses--to the last interview before her death where she reflects on the state of American literature, these interviews capture the writer at her funny and surprising best. Another highlight includes Acker's 1997 interview with the Spice Girls on the forces of pop and feminism (which reads as if it could have been conducted with a new generation of pop star in 2018).

"After Kathy Acker met McKenzie Wark on a trip to Australia in 1995, they had a brief fling and immediately began a heated two-week email correspondence. Their emails shimmer with insight, gossip, sex, and cultural commentary. They write in a frenzy, several times a day; their emails cross somewhere over the International Date Line, and themselves become a site of analysis. What results is an index of how two brilliant and idiosyncratic writers might go about a courtship across 7,500 miles of airspace--by pulling in Alfred Hitchcock, stuffed animals, Georges Bataille, Elvis Presley, phenomenology, Marxism, The X-Files, psychoanalysis, and the I Ching. Their correspondence is Plato's Symposium for the twenty-first century, but written for queers, transsexuals, nerds, and book geeks. I'm Very Into You is a text of incipience, a text of beginnings, and a set of notes on the short, shared passage of two iconic individuals of our time."--Page 4 of cover