Wally Lamb se zaměřuje na složité psychologické krajiny a morální dilemata, přičemž jeho práce často zkoumá témata identity, rodiny a hledání vykoupení. S citem pro syrovou emocionální pravdu a pronikavým pohledem na lidskou zkušenost vtahuje čtenáře do příběhů postav, které se potýkají s traumatem a hledají smíření. Jeho literární styl je charakterizován živým vyprávěním a hlubokým zkoumáním vnitřních bojů svých postav, což z něj činí významného hlasatele v moderní beletrii. Lambův závazek k psaní, zejména jeho práce s uvězněnými ženami, osvětluje jeho hluboký zájem o hlasy, které jsou často přehlíženy.
"From the New York Times bestselling author of Oprah Bookclub Picks I Know This Much Is True and She's Come Undone comes the heart wrenching story of a young father who, after an unbearable tragedy, reckons with the possibility of atonement for the unforgivable"--
The story centers on Felix Funicello, a film scholar who operates a movie club in a historic vaudeville theater. His life takes a surreal turn when he encounters the ghost of Lois Weber, a pioneering director from the silent film era. Lois guides Felix through a nostalgic journey, allowing him to relive pivotal moments from his past as they are projected on the theater's screen, blending themes of memory, cinema, and the impact of film history.
The story explores the aftermath of a tragic school shooting through the experiences of Caelum Quirk and his wife, Maureen, who both work at Columbine High School. After Maureen survives a harrowing ordeal during the attack, their attempt to escape to a seemingly safe family farm in Connecticut reveals that the trauma and chaos from the event linger, impacting their lives in profound ways. The narrative delves into themes of survival, the search for safety, and the enduring effects of violence.
Behind every good man is a great woman - or three. A New York Times
bestseller: the kaleidoscopic new novel from Wally Lamb, author of She's Come
Undone. Every Monday, sixty-year-old Felix Funicello sets up a new film for
his weekly club at an old-fashioned cinema. But one night, he is confronted by
an unanticipated guest: the ghost of Lois Weber. Once a trailblazing director
from the silent film era, Lois invites Felix to watch a new feature on the big
screen - scenes from his past. As these magical movies play before him, Felix
begins to understand how a trio of unforgettable women have shaped his
history. An evocative and kaleidoscopic convergence of Hollywood, feminism and
family secrets, I'll Take You There is a radiant homage to a single life and
to the resiliency, strength and power of women.
Kryzys zapoczątkowany w 2007 na międzynarodowych rynkach finansowych
unaocznił, jak wielkie jest znaczenie zjawiska ryzyka systemowego w
generowaniu i rozprzestrzenianiu się niestabilności finansowej, i jak poważne
mogą być skutki materializacji tego ryzyka dla sfery realnej gospodarki. Jedną
z lekcji, jakie wynieśliśmy jest lepsze poznanie i zrozumienie znaczenia
ryzyka systemowego w funkcjonowaniu współczesnych systemów finansowych, które
mają bardzo złożony charakter i wymagają całościowego, systemowego spojrzenia
oraz nadzoru. Powołanie m.in. Europejskiej Rady ds. Ryzyka Systemowego,
nadanie odpowiedniego znaczenia polityce makroostrożnościowej są praktycznymi
działaniami mającymi ograniczyć prawdopodobieństwo powtórzenia się kryzysu o
podobnym charakterze i skali.
Mnohovrstevnatý portrét manželství, rodiny a neúprosné touhy po porozumění a vztahu.
Annie Ohová, manželka, matka a výtvarnice ve středních letech způsobila ve své rodině zemětřesení. Po dvaceti sedmi letech manželství se rozhodla opustit svého muže, s nímž má tři děti. Zamilovala se do Viveky, bohaté, kultivované a sebevědomé manhattanské obchodnice s uměním, která jí pomohla k profesionálnímu úspěchu.
Annie a Viveca plánují svatbu, což ale vyvolává smíšené reakce a otevírá Pandořinu skříňku s tajemstvími — temnými a bolestnými pravdami ukrytými pod povrchem života rodiny Ohových.
V roli vypravěče se střídá nekonformní Annie, její bývalý manžel, psycholog Orion, „nejhodnější“ z Anniiných dětí Ariane, rebelský jediný syn a Arianino dvojče Andrew a nejmladší z dětí, svobodomyslná Marissa.
Román Jako voda představuje portrét moderní Ameriky, Wally Lamb v něm promlouvá o problému tříd, měnících se sociálních zvyků, přežívajícího rasového násilí a o tom, jak zoufale hledáme lásku a smysl ve svých životech.
In Wally Lamb’s pitch perfect new novel, it is 1964. LBJ and Lady Bird are in the White House, Meet the Beatles is on everyone’s turntable, and ten-year-old Felix Funicello (distant cousin of the iconic Annette!) is doing his best to navigate fifth grade—easier said than done when scary movies still give you nightmares and you bear a striking resemblance to a certain adorable cartoon boy. But there are several things young Felix can depend on: the birds and bees are puzzling, television is magical, and this is one Christmas he’s never going to forget.
Set in 1964, the story follows ten-year-old Felix as he navigates the complexities of childhood, from the mysteries of growing up to the enchantment of television. This Christmas promises to be unforgettable, hinting at significant events that will shape his understanding of the world. Felix's experiences reflect the innocence and wonder of youth against the backdrop of a transformative era.
The transformative power of writing is at the heart of this collection, showcasing the voices of women from a maximum-security prison. Through their essays, participants in Wally Lamb's workshop confront personal fears and envision new possibilities for their lives. Each piece is a testament to resilience, revealing diverse experiences that underscore the potential for self-awareness and change through storytelling. Startling and inspiring, these intimate narratives highlight the profound impact of the written word on personal growth and healing.
When forty-seven-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Three Rivers, Connecticut, to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a carefully premeditated, murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm in Three Rivers. But the effects of chaos are not so easily put right, and further tragedy ensues. While Maureen fights to regain her sanity, Caelum discovers a cache of old diaries, letters, and newspaper clippings in an upstairs bedroom of his family's house. The colorful and intriguing story they recount spans five generations of Quirk family ancestors, from the Civil War era to Caelum's own troubled childhood. Piece by piece, Caelum reconstructs the lives of the women and men whose legacy he bears. Unimaginable secrets emerge; long-buried fear, anger, guilt, and grief rise to the surface. As Caelum grapples with unexpected and confounding revelations from the past, he also struggles to fashion a future out of the ashes of tragedy. His personal quest for meaning and faith becomes a mythic journey that is at the same time quintessentially contemporary -- and American