David Sedaris Pořadí knih

David Sedaris and Ian Falconer make a spectacular splash with this tale of a monster turned ugly—stuck with a human face!In this beautifully gross picture book, Anna Van Ogre’s lovely monster face turns into that of a sickeningly adorable, rosy-cheeked little girl—and it’s not switching back! Can she find a way to stop looking like an ugly human and regain her gorgeous monstrosity of a face? The dynamic duo of nationally acclaimed comedian David Sedaris and renowned children's book author Ian Falconer comes together to ponder the perpetually relevant is true beauty really on the inside?

Als Speisekarten noch aus Papier sind und die Entscheidung, eine Maske zu tragen oder nicht, nur an Halloween relevant ist, beschäftigt sich David Sedaris größtenteils mit den normalen Dingen des Alltags - er besucht mit seiner Schwester einen Schießstand, streift über schlammige serbische Flohmärkte und kauft Gummiwürmer, um Ameisen zu füttern. Doch dann kommen Pandemie und Lockdown: Er wandert stundenlang durch ein leergefegtes New York City, in der Nase nur seinen eigenen Atem, und macht sich Gedanken darüber, wie Sexarbeiterinnen und Akupunkteure wohl die Quarantäne überstehen. Als sich die Welt langsam in einer neuen Realität wiederfindet und er wieder auf Tour geht, entdeckt Sedaris ein gespaltenes Amerika, dessen unterschiedliche Lager sich in Graffitis verewigen: Eat the Rich. Trump 2024. Black Lives Matter.

In seinen zum Kult gewordenen Aufzeichnungen erkundet David Sedaris seltsame Frisuren, passiv-aggressive Konversationen in Postämtern und verunglückte Pointen des Smalltalks. Keinen schmutzigen Witz unterschlagend untermauert Sedaris seine Qualitäten als brillanter Beobachter und sein einzigartiges Ohr für das Bizarre. Seine Tagebücher erinnern uns daran, dass wir einst George W. Bush gehasst haben und dass Donald Trump vor nicht allzu langer Zeit nur eine harmlose Witzfigur war. Die Zeit vergeht und Sedaris dokumentiert sie, an seinem Schreibtisch oder im Flugzeug, in Speisesälen von Hotels und schrägen japanischen Pensionen. Aus den kleinen Alltagsgeschichten wird ein Abbild des politischen Weltverlaufs, mal süß, mal bitter im Abgang, aber immer lustig.

David Sedaris returns with his first new collection of personal essays since the bestselling Calypso. Back when restaurant menus were still printed on paper, and wearing a mask - or not - was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he's stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. To cope, he walks for miles through a nearly deserted city, smelling only his own breath. He vacuums his apartment twice a day, fails to hoard anything, and contemplates how sex workers and acupuncturists might be getting by during quarantine. As the world gradually settles into a new reality, Sedaris too finds himself changed. His offer to fix a stranger's teeth rebuffed, he straightens his own, and ventures into the world with new confidence. Newly orphaned, he considers what it means, in his seventh decade, no longer to be someone's son. And back on the road, he discovers a battle-scarred America: people weary, storefronts empty or festooned with Help Wanted signs, walls painted with graffiti reflecting the contradictory messages of our time: Eat the Rich. Trump 2024. Black Lives Matter. In Happy-Go-Lucky, David Sedaris once again captures what is most unexpected, hilarious, and poignant about these recent upheavals, personal and public, and expresses in precise language both the misanthropy and desire for connection that drive us all

"There's no right way to keep a diary, but if there's an entertaining way, David Sedaris seems to have mastered it. If it's navel-gazing you're after, you've come to the wrong place; ditto treacly self-examination. Rather, his observation turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leaping to his death. There's a dirty joke shared at a book signing, then a dirtier one told at a dinner party -- lots of jokes here. Plenty of laughs. These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was just a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in hotel dining rooms and odd Japanese inns, records it. The entries here reflect an ever-changing background -- new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can't by the end. At its best, A Carnival of Snackery is a sort of sampler: the bitter and the sweet. Some entries are just what you wanted. Others you might want to spit discreetly into a napkin."--From publisher

A lavish gift edition of David Sedaris's best stories, spanning his spectacular bestselling career. Hand-picked by David himself, these are stories that will make you laugh and cry, sometimes at the same time, from "the funniest man alive" (Time Out New York).

Sedaris is celebrated as a keen observer of the world's oddities. In this New York Times Notable Book of 2018, he presents an entrancing narrative that reveals not just the witty storyteller familiar to readers, but a man in his seventh decade confronting mortality and his darker secrets. His writing exudes an intoxicating essence that captivates, making his logic resonate deeply with readers. When Sedaris acquires a beach house on the Carolina coast, he dreams of idyllic vacations filled with board games and sunbathing alongside loved ones. Life at the Sea Section unfolds as he envisioned, yet he faces the vexing truth that one cannot escape oneself. Through his formidable observational skills, Sedaris explores themes of middle age and mortality. The stories are hilariously funny, capable of inducing laughter that resonates like family humor. His writing is sharper than ever, with an unmatched ability to provoke laughter even in the face of life's betrayals. The comedy arises from the unsettling realization of aging, where the past outweighs the future. This book serves as beach reading for those who dislike beaches and is essential for anyone who prefers meaningful conversations over small talk. It stands as Sedaris's darkest yet warmest work, potentially his finest to date.

A visual compendium of the illustrated diaries David Sedaris has been creating since 1977 - time capsules of both our culture and the thoughts and observations of one of our most beloved writers.

The writing here is funnier, (even) sharper . . . There isn't a dull word among these pages India Knight Sunday Times