Edward Steichen. Photographe (1879-1973)
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Illustrates dance and dancers, from many countries and periods, from ballet to rock 'n' roll--wherever people waltz, tango, tap dance, stomp, jive, or kick up their heels
A tribute to a major photographic genre's success in capturing in permanent form the most ephemeral of the arts. Over 200 reproduced duotone plates reveal dance in all its aspects - from many countries and periods, from classical ballet to rock and roll - photographed wherever dancers waltz, tango, tap-dance, pirouette, stomp, jive or kick up their heels for joy. The great dancers are here - Nijinsky, Fred Astaire, Pavlova, Fonteyn and Isadora Duncan among other immortals; but so too are the anonymous, captured in a Parisian nightclub or at the Roxy, New York, an Amsterdam street cafe or simply dancing alone by the seashore. The wide range of photographers include Gordon Anthony, Barbara Morgan, Beaton, Degas, Genthe, Steichen, Horst, Man Ray and Helmut Newton. Introductions to each chapter and detailed notes on the photographs provide essential background about the dancers and photographers.
Catalog of an exhibition held at Musaee de l'Elysaee, Lausanne, June 18-Sept. 26. 2010 and various other locations.
A lavishly illustrated retrospective of one of the greatest international fashion photographers. From the 1950s until his death in the crash of TWA Flight 800 in 1996, Puhlmann worked with most of the top models, stylists and designers in the fashion industry. Features arresting portraits of Isabella Rossellini, Cindy Crawford, Cheryl Tiegs, Mel Gibson, Calvin Klein, Jerry Hall, Naomi Sims and many others.
From his early education at The Art Institute of Chicago in the late 50s Ray K. Metzker inherited the rich vocabulary of avant-garde photography between the wars: photomontage, solarization, multiple printing of negatives, unique perspectives, diagonals, etc. From his first exposure to photography, Metzker never lost the urge to experiment with the grammar and syntax of the medium, whether it was games played within the camera itself (the Doubleframes, for example) or complex manipulations in the darkroom (the celebrated Composites). He has drawn inspiration from the neighborhoods where he has lived (mainly Chicago and Philadelphia) and, increasingly, from nature--though the vegetation he depicts might be a weed-clogged vacant city lot as easily as the vast open plains of the American West. Decomposing, recomposing, deconstructing, reconstructing, Metzker reminds us of the great and inexhaustible potential of black-and-white photography when practiced by a master. With 180 tritone-printed images, this publication offers a rare opportunity to examine the full range of Metzker's brilliant and ever-evolving formal language.
Vivid, colorful, and spectacular: a lush and definitive overview showcasing the masterworks of flower photography by the world’s leading photographers. Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, Flora Photographica links the very best of flower photography from the past twenty years with its predecessors—canonical floral images from the realms of photography, illustration, and painting that have marked the collective imagination. Works by contemporary photographers such as David LaChapelle, Valérie Belin, Viviane Sassen, and Martin Schoeller appear across ten thematic chapters, among them “Origins,” “Arrangements,” “Essence,” “Persona,” and “Reverie,” which also include a brief introduction to the particular topic. These are complemented by two in-depth essays by authors William Ewing and Danaé Panchaud, which explore the relationship between contemporary works and the rich traditions of floral art and photography. Vibrant and abundant with various species of flora, this stunning book is both a celebration of beauty and a study of form, making it a must-have publication for lovers of flowers and photography alike.
From 19th century erotica to the sexual politics of the 1990s, Ewing's collection of over 365 photographic images provides a rich archive of bodily forms, both male and female, featuring the outstanding works of some of the world's most talented photographers.
This beautiful volume is an extraordinary visual survey of human passion. This is the long-awaited sequel to Ewing's acclaimed photography collection "The Body." Here, he surveys 150 years of photographic history exploring how the camera has been used to express the elusive ideas, thoughts, & sentiments related to the most turbulent of human emotions. These photos capture the group adulation of a public icon & the showgirl's seduction of her audience, a man proudly posing with his two wives as well as the innocent sensuality of a child clutching his mother's breast. Here are images by the great names in photography, including: Man Ray, Robert Mapplethorpe, Nan Goldin, Helmut Newton, Sally Mann, Brassai, & Julia Margaret Cameron. Plastic slipcase.