In alles een man
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Een ambitieuze oudere zakenman in het Amerikaanse Atlanta wordt geconfronteerd met corruptie, racisme en andere problemen die het hem niet makkelijk maken aan de top.





Een ambitieuze oudere zakenman in het Amerikaanse Atlanta wordt geconfronteerd met corruptie, racisme en andere problemen die het hem niet makkelijk maken aan de top.
Román se stal literární senzací roku 1988. Hlavní téma je tradiční: soudní případ běloch versus černoch.
Briljante studieresultaten katapulteren de slimme, maar naïeve Charlotte Simmons vanuit een klein geïsoleerd stadje in de bergen van North Carolina naar de (fictieve) elite-universiteit Dupont, waar al haar normen en waarden grof worden gebruskeerd. Waar ze onverzadigbare intellectuele honger bij haar medestudenten verwachtte, treft ze slechts geile bronstigheid, liederlijke drankzucht en excessieve aandacht voor sport. Iedereen lijkt er alleen maar op uit daarmee te stijgen op de ranglijst van 'cool'-heid. Charlotte houdt dapper stand in deze poel des verderfs, totdat...
A colorful cast of Miami's residents and visitors navigate their daily lives, both legal and illegal, in a panoramic story of contemporary America. Officer Nestor Camacho patrols Biscayne Bay, immersing himself in a city where diverse cultures intersect at the ballot box. This melting pot is filled with complex characters, including the Cuban mayor, a black police chief, a young muckraking journalist, and his Yale-educated editor at the Miami Herald. There's also an Anglo sex-addiction psychiatrist and his enchanting Latina nurse, along with a billionaire patient grappling with porn addiction. A Haitian professor, who aspires for his daughter Ghislaine to "pass" for white, adds to the mix, as does her Creole-speaking little brother. The narrative also features crack dealers in the neighborhoods and clueless art collectors at the Miami Art Basel Fair, spending millions on de-skilled art. Tensions rise as black drug dealers clash with Cuban cops, while spectators at the Columbus Day Regatta seek out post-race festivities. Amidst this vibrant chaos, ex-New Yorkers at an "Active Adult" condo and a group of shady Russians contribute to the city's eclectic tapestry.
Tom Wolfe began <i>The Right Stuff</i> at a time when it was unfashionable to contemplate American heroism. Nixon had left the White House in disgrace, the nation was reeling from the catastrophe of Vietnam, and in 1979--the year the book appeared--Americans were being held hostage by Iranian militants. Yet it was exactly the anachronistic courage of his subjects that captivated Wolfe. In his foreword, he notes that as late as 1970, almost one in four career Navy pilots died in accidents. "<i>The Right Stuff</i>," he explains, "became a story of why men were willing--willing?--delighted!--to take on such odds in this, an era literary people had long since characterized as the age of the anti-hero." <p> Wolfe's roots in New Journalism were intertwined with the nonfiction novel that Truman Capote had pioneered with <i>In Cold Blood</i>. As Capote did, Wolfe tells his story from a limited omniscient perspective, dropping into the lives of his "characters" as each in turn becomes a major player in the space program. After an opening chapter on the terror of being a test pilot's wife, the story cuts back to the late 1940s, when Americans were first attempting to break the sound barrier. Test pilots, we discover, are people who live fast lives with dangerous machines, not all of them airborne. Chuck Yeager was certainly among the fastest, and his determination to push through Mach 1--a feat that some had predicted would cause the destruction of any aircraft--makes him the book's guiding spirit.</p><p> Yet soon the focus shifts to the seven initial astronauts. Wolfe traces Alan Shepard's suborbital flight and Gus Grissom's embarrassing panic on the high seas (making the controversial claim that Grissom flooded his Liberty capsule by blowing the escape hatch too soon). The author also produces an admiring portrait of John Glenn's apple-pie heroism and selfless dedication. By the time Wolfe concludes with a return to Yeager and his late-career exploits, the narrative's epic proportions and literary merits are secure. Certainly <i>The Right Stuff</i> is the best, the funniest, and the most vivid book ever written about America's manned space program. <i>--Patrick O'Kelley</i></p>