Satanovy strasti I-II
- 2 svazky
Marie Corelli byla uznávanou britskou spisovatelkou, jejíž kontroverzní díla ji řadí mezi rané zastánkyně hnutí New Age. Její romány, které s nadšením četly miliony čtenářů napříč impériem, se dotýkaly širokého publika od královny Viktorie po dělnické dívky. Navzdory kritickému nezájmu se její knihy staly celosvětovými bestsellery a z ní vynesly nejlépe placenou autorku Anglie.






Tématem románu, který vydala Marie Corelli v roce 1914, je týrání nemanželských dětí. Obsahuje několik protofeministických polemik namířených proti instituci manželství. V českém vydání kniha vyšla ve dvou dílech.
Tématem románu, který vydala Marie Corelli v roce 1914, je týrání nemanželských dětí. Obsahuje několik protofeministických polemik namířených proti instituci manželství. V českém vydání kniha vyšla ve dvou dílech.
The exploration of power, politics, and religion unfolds through a narrative rich in ambition, morality, and the tension between spirituality and secular governance. Corelli's vivid imagination brings to life intricately drawn characters and complex plotlines that reflect on the nature of authority and its consequences. The novel challenges conventional views of supremacy, delving into the interplay between faith and political influence. Ultimately, it serves as a meditation on the transient nature of earthly power, resonating with timeless themes relevant to the human experience.
The narrative offers a vivid exploration of the literary community in the nineteenth century, highlighting the intricate dynamics of personal and professional politics among authors. With a cast of colorful characters, the book delves into the intense rivalry, fame, and criticism that define the world of publishing during this era, providing a bold and insightful commentary on the challenges and triumphs faced by writers.
Excerpt from Barabbas A long sultry Syrian day was drawing near its close. The heavy heat was almost insupportable, and a poisonous stench oozed up from the damp earth-floors of the Jewish prison, charging what little air there was with a deadly sense of suffocation. Down in the lowest dungeons complete darkness reigned, save in one of the cells allotted to the worst criminals; there, all through the slow hours a thin white line of light had persistently pierced the thick obscurity. It was the merest taper-flame reflection of the outside glowing Eastern sky, yet narrow as it was, it had vexed the eyes of the solitary prisoner on whom it fell, and he had turned from its hot flash with a savage curse and groan. Writhing back as far as his chains would allow, he covered his face with his manacled hands, pressing his eyelids down, and gnawing his lips in restless fury till his mouth was bitter with the taste of his own blood. He was seized with such impotent rages often. He mentally fought against that poignant light-beam cutting like a sword through deep darkness, - he regarded it as a positive foe and daily source of nervous irritation. It marked for him the dismal time, - when it shone he knew it was day, - when it vanished, it was night. Otherwise, whether minutes or hours passed, he could not tell. His existence had merged into one protracted phase of dull suffering, varied with occasional fits of maniac ferocity which only relieved him for the moment and left him more stupefied and brutish than before. He had no particular consciousness of anything except of that needle-pointed ray which, falling obliquely upon him, dazzled and hurt his eyes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.