Kamila Shamsie Knihy

Isma je volná. Vyrostla v Londýně a po matčině smrti se roky starala o mladší sourozence, dvojčata Aneeku a Parvaize. Nyní přijala pozvání své profesorky do Ameriky, kde si konečně může splnit sen, který na dlouhou dobu odložila. Nedokáže se ale přestat strachovat o svou krásnou a tvrdohlavou sestru Aneeku, která studuje práva v Londýně, ani o bratra Parvaize, jenž se zničehonic rozhodl dokázat, že je právoplatným synem svého otce, džihádisty, kterého ovšem nikdy nepoznal. Parvaiz se dostal až do Sýrie a své nešťastné sestry nechal daleko za sebou. Co pro něj mohou udělat? Co by měly udělat? Vypovídá bratrovo rozhodnutí také něco o jejich vlastních životech?

Hiroko Tanaka vyjde na verandu svého domu, zahalená v kimonu se třemi černými jeřáby na zádech. Myslí přitom na svého snoubence Konrada Weisse, Němce, který v Japonsku hledal ztracený svět a našel ji. A potom se v záblesku bílého světla z Konrada stejně jako z dalších obyvatel Nagasaki stane jen černý stín vypálený do kamene. Atomová bomba připraví Hiroko o všechno a jako nesmazatelná připomínka toho, co se stalo, jí zůstanou jen tři spáleniny ve tvaru ptáků na zádech. Ve snaze začít znovu se Hiroko vydá do Dillí, kde se její život spojí se životem Konradovy nevlastní sestry Elizabeth, jejího manžela Jamese Burtona a Jamesova asistenta, mladého muslima Sadžáda Ašráfa, který ji začne učit urdsky. Po odchodu Britů a rozpadu Indie zůstane Hiroko vykořeněná podruhé, ve světě, kde staré války vystřídaly nové konflikty. Ale stíny dějin – osobních i světových – dál dopadají na propojené světy Weissových-Burtonových a Tanakových-Ašráfových, pronásledují je z Pákistánu do New Yorku a z New Yorku do Afghánistánu. Pouta, která po desetiletí vázala obě rodiny k sobě, se napínají k prasknutí.

In this retelling of 'The Ugly Duckling', Kamila Shamsie explores themes of identity, transformation, and belonging. The story follows a character who grapples with feelings of isolation and the desire for acceptance, ultimately discovering their true self amidst societal expectations. Shamsie's narrative adds depth to the classic tale, infusing it with contemporary relevance and emotional resonance, making it a poignant reflection on the journey of self-discovery and the challenges of fitting in.

Crib mates, raised together from birth, narrator Raheen and her best friend Karim dream each other's dreams, finish each other's sentences, speak in a language of anagrams. They share an idyllic childhood in upper-class Karachi with parents who are also best friends, even once engaged to the other until they rematched in what they jokingly call the fiancee swap. The night Karim's family migrates from Karachi to London, Raheen knows that some of my tears were his tears and some of his tears were mine. But as distance and adolescence split them apart, Karim takes refuge in the rationality of maps while Raheen searches for the secret behind her parents' exchange. What she uncovers takes us back two decades to reveal a story not just of a family's turbulent history but that of a country, and brings us forward to a grown-up Raheen and Karim drawn back to each other in the city that is their true home

August 9th, 1945, Nagasaki. Hiroko Tanaka steps out onto her veranda, taking in the view of the terraced slopes leading up to the sky. Wrapped in a kimono with three black cranes swooping across the back, she is twenty-one, in love with the man she is to marry, Konrad Weiss. In a split second, the world turns white. In the next, it explodes with the sound of fire and the horror of realisation. In the numbing aftermath of a bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost. Two years later, in search of new beginnings, Hiroko travels to Delhi to find Konrad's relatives and falls in love with their employee, Sajjad Ashraf. As the years unravel, new homes replace those left behind and old wars are seamlessly usurped by new conflicts. But the shadows of history - personal, political - are cast over the entwined worlds of the different families as they are transported from Pakistan to New York, and to Afghanistan in the wake of 9/11.

July 1914. Young Englishwoman Vivian Rose Spencer is running up a mountainside in an ancient land, surrounded by fig trees and cypresses. Soon she will discover the Temple of Zeus, the call of adventure and the ecstasy of love. Thousands of miles away a twenty-year-old Pathan, Qayyum Gul, is learning about brotherhood and loyalty in the British Indian Army. July, 1915. Qayyum Gul is returning home after losing an eye at Ypres, his allegiances in tatters. Viv is following the mysterious trail of her missing beloved. Qayyum and Viv meet on a train to Peshawar, unaware that a connection is about to be forged between their lives – one that will reveal itself fifteen years later, on the Street of Storytellers, when a brutal fight for freedom, an ancient artefact and a haunting green-eyed woman will bring them together again. A powerful story of friendship, injustice, love and betrayal, A God in Every Stone carries you across the globe, into the heart of empires fallen and conquered, reminding us that we all have our place in the chaos of history and that so much of what is lost will not be forgotten.

From Pakistan' s most acclaimed young writer.

Maryam and Zahra. In 1988 Karachi, two fourteen-year-old girls are a decade into their friendship, sharing in-jokes, secrets and a love for George Michael. As Pakistan's dictatorship falls and a woman comes to power, the world suddenly seems full of possibilities. Elated by the change in the air, they make a snap decision at a party. That night, everything goes wrong, and the two girls are powerless to change the outcome. Zahra and Maryam. In present-day London, two influential women remain bound together by loyalties, disloyalties, and the memory of that night, which echoes through the present in unexpected ways. Now both have power; and both have very different ideas of how to wield it... Their friendship has always felt unbreakable; can it be undone by one decision?

A beautiful novel detailing the life and loves of a Pakistani girl living in the U.S. Aliya may not have inherited her family's patrician looks, but she is as much a prey to the legends of her family that stretch back to the days of Timur Lang. Aristocratic and eccentric-the clan has plenty of stories to tell, and secrets to hide. Like salt and saffron, which both flavor food but in slightly different ways, it is the small, subtle differences that cause the most trouble in Aliya's family. The family problems and scandals caused by these minute differences echo the history of the sub-continent and the story of Partition. A superb storyteller, Kamila Shamsie writes with warmth and gusto. Through the many anecdotes about Pakistani family life, she hints at the larger tale of a divided nation. Spanning the subcontinent from the Muslim invasions to the Partition, this is a magical novel about the shapes stories can take- turning into myths, appearing in history books and entering into our lives.