Rachel Kushnerová je autorkou, jejíž díla se často zaměřují na témata feminismu, současného umění, revoluční politiky a modernismu. Její styl psaní je pronikavý a pronikavě zkoumá složité společenské a kulturní otázky. Kushnerová je známá svou schopností vytvářet poutavé příběhy, které čtenáře nutí k zamyšlení. Její eseje a beletrie se objevily v předních literárních publikacích, což podtrhuje její význam v současné literatuře.
Devětadvacetiletá striptérka Romy Hallová byla odsouzená k dvěma doživotním trestům za to, že zabila svého stalkera. Romy se musí naučit žít ve společnosti tří tisíc žen v otřesném prostředí plném násilí a nějak se smířit s odloučením od sedmiletého syna. Časem se s několika spoluvězeňkyněmi sblíží a vytvoří s nimi novou „rodinu“. Přemýšlí o některých svých rozhodnutích i o tom, proč se jí život tak vymkl. Zlomový okamžik nastává ve chvíli, kdy se dozvídá, že matka zemřela při autonehodě a syn bude dán k adopci.
In "Creation Lake," Rachel Kushner presents a gripping tale of Sadie, a cunning American woman infiltrating an anarchist collective in France. As she navigates seduction and subversion, she becomes entangled with Lucien and the enigmatic Bruno Lacombe, whose insights challenge her motives. A blend of dark humor and sharp observations, this novel showcases Kushner's masterful storytelling.
In her twenties Rachel Kushner went to Mexico in pursuit of her first love - motorbikes - to compete in the notorious and deadly race, Cabo 1000. As fellow racers died on the roadside, bikes were stolen and friends abandoned one another in the heat of the chase, she crashed at 80mph and miraculously survived; soon after, she decided to leave her controlling boyfriend and manoeuvred her way into a freer new life. The Hard Crowd is a white-knuckle ride through that life; a book about muscling your way through, finding your own path and, as she says in the hair-raising opening essay, 'completing the ride without dying'. Charged with hot-blooded humanity - with anger against the world's cruelties, and a free-wheeling passion for rare people, machines, movies, music, art and writing - it is an electrifying work about a woman's determination to reach the finish line.
The New York Times bestselling debut novel by the author of the Folio Prize shortlisted The Flamethrowers *A New York Times bestseller* *Finalist for the National Book Award in Fiction* Fidel and Ra*l Castro are in the hills, descending only to burn sugarcane plantations and recruit rebels. Rachel K is in Havana's Cabaret Tokio, entangled with a French agitator trying to escape his shameful past. Everly and K.C. are growing up in the dying days of a crumbling US colony, about to discover the cruelty and violence that have created their childhood idyll.
From the Booker Prize-shortlisted author of The Mars Room, a wildly original first essay collection about living fast and free in a crowded worldIn her twenties Rachel Kushner went to Mexico in pursuit of her first love - motorbikes - to compete in the notorious and deadly race, Cabo 1000. As fellow racers died on the roadside, bikes were stolen and friends abandoned one another in the heat of the chase, she crashed at 80mph and miraculously survived; soon after, she decided to leave her controlling boyfriend and manoeuvred her way into a freer new life.The Hard Crowd is a white-knuckle ride through that life; a book about muscling your way through, finding your own path and, as she says in the hair-raising opening essay, 'completing the ride without dying'. Charged with hot-blooded humanity - with anger against the world's cruelties, and a free-wheeling passion for rare people, machines, movies, music, art and writing - it is an electrifying work about a woman's determination to reach the finish line.
* Shortlisted for the Folio Prize 2014* *Longlisted for the Baileys Women's Prize for Fiction* Reno mounts her motorcycle and sets a collision course for New York. In 1977 the city is alive with art, sensuality and danger. She falls in with a bohemian clique colonising downtown and the lines between reality and performance begin to bleed. A passionate affair with the scion of an Italian tyre empire carries Reno to Milan, where she is swept along by the radical left and drawn into a spiral of violence and betrayal. The Flamethrowers is an audacious novel that explores the perplexing allure of femininity, fakery and fear. In Reno we encounter a heroine like no other. Best Books of the Year: * Guardian * New York Times * The Times * Observer * Financial Times * New Yorker * Telegraph * Slate * Oprah * Vogue * Time * Scotsman * Evening Standard * Shortlisted for the National Book Awards 2013
* Selected as ONE of the BEST BOOKS of the 21st CENTURY by The New York Times * NATIONAL BOOK AWARD FINALIST * New York magazine’s #1 Book of the Year * Best Book of the Year by: The Wall Street Journal; Vogue; O, The Oprah Magazine; Los Angeles Times; The San Francisco Chronicle; The New Yorker; Time; Flavorwire; Salon; Slate; The Daily Beast “Superb…Scintillatingly alive…A pure explosion of now.”—The New Yorker Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner.
"In Rachel Kushner's latest work of fiction, The Mayor of Leipzig, an unnamed artist recounts her travels from New York City to Cologne - where she contemplates German guilt and art-world grifters, and Leipzig - where she encounters live "adult entertainment" in a business hotel. The narrator gossips about everyone, including the author."--Provided by publisher
From twice National Book Award–nominated Rachel Kushner, whose <i>Flamethrowers</i> was called “the best, most brazen, most interesting book of the year” (Kathryn Schulz, <i>New York</i> magazine), comes a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It’s 2003 and Romy Hall is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision. Stunning and unsentimental, <i>The Mars Room</i> demonstrates new levels of mastery and depth in Kushner’s work. It is audacious and tragic, propulsive and yet beautifully refined. As James Wood said in <i>The New Yorker</i>, her fiction “succeeds because it is so full of vibrantly different stories and histories, all of them particular, all of them brilliantly alive.” “Kushner is going to be one we turn to for our serious pleasures and for the insight and wisdom we’ll be needing in hard times to come. She is a novelist of the very first order.” —Robert Stone “Kushner is a young master. I honestly don’t know how she is able to know so much and convey all of this in such a completely entertaining and mesmerizing way.” —George Saunders