William Gay Knihy

William Gay established himself as "the big new name to include in the storied annals of Southern Lit" (Esquire) with his debut novel, The Long Home, and his highly acclaimed follow-up, Provinces of Night. Like Faulkner's Mississippi and Cormac McCarthy's American West, Gay's Tennessee is redolent of broken souls. Mining that same fertile soil, his debut collection, I Hate to See That Evening Sun Go Down, brings together thirteen stories charting the pathos of interior lives. Among the colorful people readers meet are: old man Meecham, who escapes from his nursing home only to find his son has rented their homestead to "white trash"; Quincy Nell Qualls, who not only falls in love with the town lothario but, pregnant, faces an inescapable end when he abandons her; Finis and Doneita Beasley, whose forty-year marriage is broken up by a dead dog; and Bobby Pettijohn -- awakened in the night by a search party after a body is discovered in his back woods. William Gay expertly sets these conflicted characters against lush backcountry scenery and defies our moral logic as we grow to love them for the weight of their human errors.

From a celebrated master of the Southern Gothic comes a last collection of hard-hitting short fiction, his final posthumous work Beloved for his novels Twilight, The Long Home, and The Lost Country and his groundbreaking collection I Hate to See That Evening Sun Go Down, William Gay returns with one final posthumous collection of short stories, adapted from the archive found after his death in February 2012. In addition to previously unpublished short stories, Stories from the Attic includes fragments from two of the unpublished novels that were works in progress at the time of his death. Marked by his signature skill and bare-knuckled insight, this collection is a must-read for William Gay devotees and fans of Southern short fiction.

Celebrated for his contributions to Southern Gothic literature, this collection showcases William Gay's final works, featuring hard-hitting short stories and fragments from two unfinished novels discovered after his passing in 2012. Known for his novels like Twilight and The Long Home, Gay's signature style and keen insights are evident throughout, making this posthumous anthology essential for both longtime fans and newcomers to Southern short fiction.

Fiction. In his last posthumous novel, William Gay has offered admirable homage to Mark Twain's Huckleberry Finn. Marion Yates, a teenage orphan, is taken in by an ex-schoolteacher named Black Crowe. The boy in turn cares for Crowe when he is temporarily disabled by a dynamite blast. Every hardscrabble thing we have come to expect from Gay lies in this novel, including an offbeat and dark humor.

The Bloodworths come from Ackerman's Field, Tennessee. Theirs is a rough and violent past and Boyd Bloodworth - father of the hero, Fleming - is intent on continuing the tradition. The year is 1952 and E.F. Bloodworth, Boyd's father, has returned after 20 years of roaming.

Exploring the intersection of love and mortality, the narrative delves into a character's quest for a connection that transcends death, revealing the complexities of human emotions in the face of the unknown. The journey is marked by a blend of passion and darkness, highlighting the sometimes morbid outcomes of such deep-seated desires.

Nathan Winer is unknowingly working for a man who killed his father and has designs on his lover, and who brings with him a satanic force to the deep South. schovat popis

Suspecting that something is amiss with their father's burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead.Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods filled with tangled roads, rusted machinery, and eccentric squatters-old men, witches, and families among them-who both shield and imperil Tyler as he runs for safety. With his poetic, haunting prose, William Gay rewrites the rules of the gothic fairytale while exploring the classic Southern themes of good and evil.

A novel that follows four people on the road: a young sailor hitchhiking to Tennessee from the West Coast, a one-armed con-man, a kid dodging the law, and an enigmatic young woman who has fled her sordid and abusive home life.

David Binder is a young, successful writer living in Chicago and suffering from writer's block. He stares at the blank page, and the blank page stares back harder. So when his agent suggests maybe a lighter sophomore novel, maybe something genre that they can sell real quick and buy him some more time to pen his magnum opus, he's quick to recall an old ghost story he once heard. With his pregnant wife and his young daughter in toe, he sets out for Tennessee with high hopes of indulging the local lore surrounding Virginia Beale, Faery Queen of the Haunted Dell and whiling away the summer from life in the city. But as his investigation goes further and further, and the creaking of the floor boards grows louder and louder, David Binder realizes he's not only endangered himself, but also his wife and daughter.