John House byl předním historikem impresionismu. Ve svých spisech odhalil impresionisty jako bystré pozorovatele společenských změn, nikoli jako povrchní či lichotivé umělce. Ukázal, že impresionismus nebyl uzavřeným hnutím, ale chytrým vyjednáváním uměleckých konvencí a institucí. Hrál klíčovou roli v transformaci akademického studia tohoto období a zároveň předsedal rozvoji jeho veřejného ocenění prostřednictvím výstav, které kurátoroval.
This stunning book, published to accompany a major touring exhibition, examines Renoir's landscape art in depth, demonstrating that he was one of the most audacious and original landscape artists of his age.
Highlighting the first-ever exhibition of Paul Czanne's complete collection at The Courtauld Gallery, this catalogue celebrates the 75th anniversary of The Courtauld Institute of Arts. It features an exceptional array of seminal paintings, alongside rarely seen drawings and watercolors, showcasing the breadth of Czanne's artistic evolution throughout his career. The collection's significance is underscored by its quality and diversity, offering a comprehensive insight into one of the most influential artists in art history.
Book by New Line Books, Confidential, Concepts
Analyzes the career of the artist responsible for the public image of Impressionism, focusing on the evolution in Monet's painting technique and execution and relating it to his ideas, experiences, and the contexts in which he worked
John House examines the many facets of the work and what it reveals about Renoir as a man and artist. He asks, "What did it mean to paint a picture like La Promenade in France in 1870, in the final months of Napoleon III's Second Empire?" The reader is invited to look at the canvas - and Impressionism - as a rejection of the idealist world of academic art and as a challenge to contemporary social norms.