Meret Oppenheim Pořadí knih

Meret Oppenheim's collected poems, spanning from 1933 to 1980, showcase her unique voice that transcends Surrealism, featuring vivid imagery and sound. The volume includes 49 poems presented alongside their original German and French texts. Oppenheim was a prominent figure in the 1930s Paris art scene, mingling with influential artists like André Breton and Marcel Duchamp. Her work is celebrated for its timelessness and striking self-assurance, coinciding with a major retrospective of her art at the Museum of Modern Art in New York.

A selection of artworks by international artists dealing with the food theme and all its implications. This volume accompanies the international traveling exhibition FOOD, that focuses on the preservation of Earth and food choices, as well as the effects of climate change, the poisoning of agricultural products, the food distribution gap, famine, and other related concerns.

Introduction by Christoph Eggenberger. Texts by Bice Curiger, Jaqueline Burckhardt, Isabel Schulz and Werner Hofmann among others. Swiss artist Meret Oppenheim remained for a long time in the shadow of the surrealists who were her friends. When, in 1936, she made the "fur teacup", however, she created an icon of twentieth-century art. The fame she gained for her "fur teacup"as well as Man Ray's photographs of her from the 1930s caused her to become an icon herself. In this beautiful and thorough retrospective of her work, Oppenheim's geometric and organic sculptures, drawings, collages and objects merit attention beyond the confines of surrealism, addressing themes such as the role of women as artists and the individual in relation to Nature.

One of the most unusual women of the twentieth century, Meret Oppenheim most famously created the legendary Le Déjeuner en Fourrure , her 1936 assemblage of a tea cup and a fur. But Oppenheim was not just a Surrealist mouthful--though she provided the movement with one of its most recognizable symbols. Like her counterparts Max Ernst, Marcel Duchamp, André Breton and Man Ray, she used found materials freely in her artworks, often to the point of creating a critical alienation of the viewer from an otherwise familiar object. Her greater oeuvre has often been subsumed by the dominance of the ubiquitous fur cup, a situation which this publication aims to remedy, presenting a career-spanning selection of witty drawings, paintings, objects, collages, poems and designs for “applied artworks”--fantastic clothes, jewelry and furniture. Shortly before her death, Oppenheim and editor Thomas Levy developed the idea of realizing some of her applied artworks; those that were made to appear here through photo documentation. Also included are scholarly essays, an exhibition list, a bibliography and a filmography.

Seit ihren surrealistischen Anfängen in Paris mit Andre Breton, Marcel Duchamp und Max Ernst entwickelte sich Meret Oppenheim (1913-1985) zu einer völlig unvergleichlichen, eigenständigen Künstlerin, der anhaltender internationaler Ruhm zuteil wurde. Ihre Gedichte gehören wie ihre Bilder zum lebendigsten Erbe des eben vergangenen Jahrhunderts.§Der schön gestaltete und mit Bildern versehene Band enthält die veröffentlichten sowie zehn bisher unveröffentlichte Gedichte aus dem Nachlaß, dazu eine Reihe von Texten Meret Oppenheims, die ihre Welt und die Umgebung ihrer Gedichte beleuchten und erklären: die Vorlage für ein Filmdrehbuch über Kaspar Hauser, Oppenheims Beschreibung ihres "Nachtessens auf einer nackten Frau" sowie ein Gespräch mit der Herausgeberin über die Freundschaft zwischen Bettine von Arnim und Karoline von Günderode.§"Meret Oppenheims Verse", bemerkt die Herausgeberin, "sind vom Magnetismus der ihnen zufallen Worte ergriffen. Ohne mich ohnehin ohne Weg kam ich dahin - hier artikuliert sich ein Kaspar Hauser im Reich der Lyrik."