Choreographer and filmmaker Yvonne Rainer explores movement as a political act in various contexts, including stage and screen. In this volume, she introduces the concept of the "rant dance," featuring her latest performance piece, "A Truncated History of the Universe for Dummies," which evolved through live presentations in Dublin, Stockholm, and New York before being adapted in written form. Rainer expresses her frustration with contemporary politics through the persona of Apollo Musagète, Leader of the Muses. The book also includes "Pedagogical Vaudeville 3," a collection of emails and diary entries documenting Rainer's creative process in developing a dance. An extensive interview with Douglas Crimp offers insights into her dance origins and her resurgence in the form since 2000. Rainer and Yale professor Emily Coates discuss the revival of "Parts of Some Sextets" (1965/2019), first performed in November 2019. The texts collectively highlight Rainer's ongoing engagement with reinterpreting material across various mediums and provide a unique look into the methods of a leading dance artist. With an introduction by Gregg Bordowitz and an analysis of Rainer's "AG Indexical with a Little Help from H. M." by Anna Staniczenko, the assembled works serve as a revision of Rainer's five decades of production and a timely guide for performance as an act of resistance.
Yvonne Rainer Pořadí knih
Yvonne Rainer is a groundbreaking artist whose work challenges traditional notions of performance and narrative. Her approach, stemming from her roots in modern dance, emphasizes a deconstruction of movement and meaning. Rainer's directorial work further explores these ideas through film, pushing the boundaries of cinematic storytelling. Her artistic practice consistently interrogates the relationship between the body, language, and representation.


- 2020
- 1994
Die amerikanische Künstlerin Yvonne Rainer beginnt nach einer Karriere in avantgardistischem Tanz mit eigenen Filmproduktionen. Ihre frühen Filme sind zunächst im Kontext einer Performance konzipiert: der choreographische Ansatz wird aber umgesetzt in den imaginären und experimentellen Anspruch, das Kino neu zu erfinden. Rainers Neudefinition der filmischen Erzählung steht konträr zur damaligen dominierenden Avantgarderegie. Eine klare feministische und politische Artikulation tritt zutage: zur Diskussion stehen die Psychologie politischer Radikalität, progressiv-akademische Diskurs-Rituale und Probleme des Alterns. Somit entwickeln die Filme eine präzise Sprache des Politischen, die vom Alltag herkommt und ihren theoretischen Sättigungswert gut zu verbergen weiß. Dieses Buch enthält Beiträge der Autorin zur theoretischen Diskussion, Interviews mit ihr sowie ihre sämtlichen Filmskripte.