Beautifully designed, text-heavy and smart, Album is a deliberately unrepresentative compilation of genre-hopping textual and visual material placed in orbit around the work of the influential young Swiss artists Urs Fischer, Yves Netzhammer, Ugo Rondinone and Christine Streuli--all of whom were born in the early- to mid-1970s, and all of whom represented Switzerland at the 2007 Venice Biennale. Finely printed on uncoated paper, the book includes specially commissioned critical texts, conversations, reports and visual essays that address, sometimes straightforwardly, sometimes obliquely, the larger issues implied in this group's work--such as notions of time, the animal and the human, shock and materiality. With a similarly eclectic mix of historical analysis, literary tableau and art-world journalism, the book imagines a psycho-geography of Switzerland, from its Alps to its art-filled bunkers. Sensitive to the nature of its context, informative and discursive rather than promotional, the book is rounded off with a survey on the future of biennials in relation to the present-day "fair mania" and a selection of critical views.
Daniel Kurjakovic Knihy


Seit einiger Zeit und- wenn nicht alles täuscht- noch eine ganze Weile prägt die Rede von politischer, engagierter Kunst den Kunstdiskurs. Aber was versteht man darunter? Was ist die engere, was die weitere Bedeutung dieser Begriffe? Das vorliegende Projekt versteht sich als Beitrag zu diesen Fragen. Die Ausstellug in Public schlägt in dieser Hinsicht einige künstlerische Positionen vor: Jos Näpflin, Vittorio Santoro, Bojan Sarcevic, Miri Segal, Ursula Sulser. Ihre Arbeiten können in Verbindung zu einem etwas erweiterten Politikbegriff gebracht werden.