Více o knize
This comprehensive volume provides readers with multi-faceted insights into the full abundance of all the movements and schools of art between 1750 and 1848. It presents a comprehensive overview of the development of Neo-classicist and Romantic art in Europe and North America. It features illuminating excursions into areas such as the foundations of Neoclassicism in the Renaissance architecture of Andrea Palladio (1508-1580). It discusses European painting between two revolutions: the development of painting in France from Jacques Louis David through to Jean-Auguste-Dominique Ingres and his antipode, Eugene Delacroix. It is richly illustrated with photographs taken exclusively for this book. Neoclassicism, as a return to the forms and ideals of ancient art, and Romanticism, as an intellectual attitude, are no longer seen as mutually exclusive alternatives.
Nákup knihy
Neoclassicism and romanticism, Rolf Toman
- Jazyk
- Rok vydání
- 2006
- product-detail.submit-box.info.binding
- (pevná)
Doručení
Platební metody
Tady nám chybí tvá recenze.
- Titul
- Neoclassicism and romanticism
- Jazyk
- anglicky
- Autoři
- Rolf Toman
- Vydavatel
- Könemann of Tandem-Verl.-GmbH
- Rok vydání
- 2006
- Vazba
- pevná
- Počet stran
- 520
- ISBN10
- 3833122889
- ISBN13
- 9783833122880
- Série
- Štítky
- Naučná literatura, Umění & Kultura, Historické téma, Historie, Umění, Architektura, Architektura & Urbanismus, Teorie & Dějiny umění, Dějiny umění
- Hodnocení
- 4 z 5
- Anotace
- This comprehensive volume provides readers with multi-faceted insights into the full abundance of all the movements and schools of art between 1750 and 1848. It presents a comprehensive overview of the development of Neo-classicist and Romantic art in Europe and North America. It features illuminating excursions into areas such as the foundations of Neoclassicism in the Renaissance architecture of Andrea Palladio (1508-1580). It discusses European painting between two revolutions: the development of painting in France from Jacques Louis David through to Jean-Auguste-Dominique Ingres and his antipode, Eugene Delacroix. It is richly illustrated with photographs taken exclusively for this book. Neoclassicism, as a return to the forms and ideals of ancient art, and Romanticism, as an intellectual attitude, are no longer seen as mutually exclusive alternatives.


