Parametry
- 676 stránek
- 24 hodin čtení
Více o knize
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover
Nákup knihy
Likeness and presence, Hans Belting
- Jazyk
- Rok vydání
- 1996
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- (měkká)
Doručení
Platební metody
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- Podtitul
- A History of the Image before the Era of Art
- Jazyk
- anglicky
- Autoři
- Hans Belting
- Vydavatel
- The University of Chicago Press
- Rok vydání
- 1996
- Vazba
- měkká
- Počet stran
- 676
- ISBN10
- 0226042154
- ISBN13
- 9780226042152
- Série
- Štítky
- Naučná literatura, Umění & Kultura, Společenské vědy, Historické téma, Historie, Filosofická tématika, Umění, Filosofie, Teorie & Dějiny umění, Dějiny umění, Antropologie
- Původní název
- Bild und Kult
- Hodnocení
- 4,4 z 5
- Anotace
- Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover