Knihobot

What I Loved

Hodnocení knihy

Parametry

  • 370 stránek
  • 13 hodin čtení

Více o knize

What I Loved is a deeply touching elegiac novel that mourns for the New York artistic life, which was of a time but now has gone--by extension, it is about all losses swept away by mischance and time. Half-blind and alone, Leo tells us of marriage and friendship, and makes the sheer fragility of what seemed forever not only his subject, but perhaps the only subject worth considering. Scholars Leo and his wife Erica admire, and befriend, artist Bill and his first and second wives--their respective sons Matthew and Mark grow up together until the first of a series of tragedies strikes. And things get gradually worse from then on, both because terrible things happen and because people do not get over them. Part of the strength of this impressive novel is its emotional intensity and part is the context in which those emotions exist; these are smart and talented people, even the children, and we luxuriate, even when things are at their worst, in the sheer intelligence they bring to bear on their situations. It is also impressive that, for Hustvedt, intelligence is an end in itself rather than something that prevents tragedy or makes it more bearable. This is a powerful book because everything Leo knows makes him ever more the victim of exquisite pain. -- Roz Kaveney

Nákup knihy

What I Loved, Siri Hustvedt

Jazyk
Rok vydání
2003
product-detail.submit-box.info.binding
(pevná)
Jakmile se objeví, pošleme e-mail.

Doručení

Platební metody

4,4
Velmi dobrá
524 Hodnocení

Tady nám chybí tvá recenze.

Jazyk
anglicky
Rok vydání
2003
Vazba
pevná
Počet stran
370
ISBN10
034068237X
ISBN13
9780340682371
Série
Původní název
What I loved
Hodnocení
4,35 z 5
Anotace
What I Loved is a deeply touching elegiac novel that mourns for the New York artistic life, which was of a time but now has gone--by extension, it is about all losses swept away by mischance and time. Half-blind and alone, Leo tells us of marriage and friendship, and makes the sheer fragility of what seemed forever not only his subject, but perhaps the only subject worth considering. Scholars Leo and his wife Erica admire, and befriend, artist Bill and his first and second wives--their respective sons Matthew and Mark grow up together until the first of a series of tragedies strikes. And things get gradually worse from then on, both because terrible things happen and because people do not get over them. Part of the strength of this impressive novel is its emotional intensity and part is the context in which those emotions exist; these are smart and talented people, even the children, and we luxuriate, even when things are at their worst, in the sheer intelligence they bring to bear on their situations. It is also impressive that, for Hustvedt, intelligence is an end in itself rather than something that prevents tragedy or makes it more bearable. This is a powerful book because everything Leo knows makes him ever more the victim of exquisite pain. -- Roz Kaveney