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The Way of All Flesh

Hodnocení knihy

Více o knize

'I am the enfant terrible of literature and science. If I cannot, and I know I cannot, get the literary and scientific big-wigs to give me a shilling, I can, and I know I can, heave bricks into the middle of them.'With The Way of All Flesh, Samuel Butler threw a subversive brick at the smug face of Victorian domesticity. Published in 1903, a year after Butler's death, the novel is a thinly disguised account of his own childhood and youth 'in the bosom of a Christian family'. With irony, wit and sometimes rancour, he savaged contemporary values and beliefs, turning inside-out the conventional novel of a family's life through several generations. A novel of keen perceptions, The Way of All Flesh, as Richard Hoggart remarks in his Introduction, 'blows a refreshing wind of ironic laughter and caricature through some rooms of the mind that had become very musty indeed' and 'shows that fascinating interplay between art and the raw material of a man's life'.

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The Way of All Flesh, Samuel Butler

Jazyk
Rok vydání
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Doručení

Platební metody

3,5
Dobrá
199 Hodnocení

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Jazyk
anglicky
Vydavatel
Penguin UK
Vazba
měkká
Počet stran
520
ISBN10
0140430121
ISBN13
9780140430127
Série
Hodnocení
3,45 z 5
Anotace
'I am the enfant terrible of literature and science. If I cannot, and I know I cannot, get the literary and scientific big-wigs to give me a shilling, I can, and I know I can, heave bricks into the middle of them.'With The Way of All Flesh, Samuel Butler threw a subversive brick at the smug face of Victorian domesticity. Published in 1903, a year after Butler's death, the novel is a thinly disguised account of his own childhood and youth 'in the bosom of a Christian family'. With irony, wit and sometimes rancour, he savaged contemporary values and beliefs, turning inside-out the conventional novel of a family's life through several generations. A novel of keen perceptions, The Way of All Flesh, as Richard Hoggart remarks in his Introduction, 'blows a refreshing wind of ironic laughter and caricature through some rooms of the mind that had become very musty indeed' and 'shows that fascinating interplay between art and the raw material of a man's life'.